In the heart of California's expansive geography, artist Zheng Chongbin has been weaving a tapestry of life and ecologies through his captivating works. His latest exhibition at LACMA, "Zheng Chongbin: Golden State," is an immersive experience that invites viewers to explore the intricate relationships between nature, art, and the human condition.
Chongbin's artistic journey began in Shanghai during China's Cultural Revolution, where he was trained in classical Chinese art forms. However, it was not until the Open Door Policy in 1978 that Western ideas and materials began to influence his work, incorporating styles like Abstract Expressionism, German Expressionism, and Light and Space movements.
In "Golden State," Chongbin pays homage to California's unique geography, juxtaposing elements of sunlight, trees, rain fog, fire scars, and earthquake fault lines. His use of shrimp paper, a light material made from sandalwood bark, imbues the work with an organic quality that allows the paint to crack and fissure as new layers are applied.
The artist's fascination with nature is evident in his observation: "It feels like ecologies... everything that goes through is my skin." His paintings are not mere representations but rather a testament to the interconnectedness of all living things. Chongbin's style, characterized by layered swaths of ink and paint, creates topographic elements that evoke natural formations from mountain peaks to blood capillaries.
The artist's light-and-space installations, such as "Mesh" (2018) and "Chimeric Landscape" (2015), further underscore this concept. By filtering natural, medical, and abstract imagery through refracted light, Chongbin creates an immersive environment that dissolves boundaries between the physical and metaphysical.
In "Chimeric Landscape," a sand dollar awash on the shore becomes the muse for an installation that weaves short clips of water, ink, cell functions, and other ephemera into Euclidean geometries. This work deconstructs spatial differentiation, highlighting the little breaths of life in inanimate objects.
At LACMA, "Zheng Chongbin: Golden State" is an exhibition that defies traditional notions of art and space. It invites viewers to collaborate with both material and mind, ensuring that what lies above reflects below. As Chongbin says, "The structure of Chimeric Landscape is obviously a non-linear narrative... The one visual dominance that we encounter is the ink flow."
Through his works, Zheng Chongbin reminds us that art is not separate from nature but rather an extension of it. His solo exhibition at LACMA offers a poignant reminder of the intricate relationships between life, ecologies, and human existence.
"Zheng Chongbin: Golden State" is on view at LACMA through January 4, 2026.
Chongbin's artistic journey began in Shanghai during China's Cultural Revolution, where he was trained in classical Chinese art forms. However, it was not until the Open Door Policy in 1978 that Western ideas and materials began to influence his work, incorporating styles like Abstract Expressionism, German Expressionism, and Light and Space movements.
In "Golden State," Chongbin pays homage to California's unique geography, juxtaposing elements of sunlight, trees, rain fog, fire scars, and earthquake fault lines. His use of shrimp paper, a light material made from sandalwood bark, imbues the work with an organic quality that allows the paint to crack and fissure as new layers are applied.
The artist's fascination with nature is evident in his observation: "It feels like ecologies... everything that goes through is my skin." His paintings are not mere representations but rather a testament to the interconnectedness of all living things. Chongbin's style, characterized by layered swaths of ink and paint, creates topographic elements that evoke natural formations from mountain peaks to blood capillaries.
The artist's light-and-space installations, such as "Mesh" (2018) and "Chimeric Landscape" (2015), further underscore this concept. By filtering natural, medical, and abstract imagery through refracted light, Chongbin creates an immersive environment that dissolves boundaries between the physical and metaphysical.
In "Chimeric Landscape," a sand dollar awash on the shore becomes the muse for an installation that weaves short clips of water, ink, cell functions, and other ephemera into Euclidean geometries. This work deconstructs spatial differentiation, highlighting the little breaths of life in inanimate objects.
At LACMA, "Zheng Chongbin: Golden State" is an exhibition that defies traditional notions of art and space. It invites viewers to collaborate with both material and mind, ensuring that what lies above reflects below. As Chongbin says, "The structure of Chimeric Landscape is obviously a non-linear narrative... The one visual dominance that we encounter is the ink flow."
Through his works, Zheng Chongbin reminds us that art is not separate from nature but rather an extension of it. His solo exhibition at LACMA offers a poignant reminder of the intricate relationships between life, ecologies, and human existence.
"Zheng Chongbin: Golden State" is on view at LACMA through January 4, 2026.