For 35 years, renowned musicologist Peter Wollny has been driven by an 'inner duty' to uncover the authorship of two enigmatic organ works attributed to Johann Sebastian Bach. The mystery began in 1992 when Wollny stumbled upon these two intriguing scores, tucked away in a dusty library, and felt compelled to unravel their secrets.
Despite his extensive research spanning decades, Wollny initially didn't consider the possibility that these works could be composed by Bach himself. Instead, he suspected they might have been penned by one of his students or a copyist. However, as his investigation progressed, he noticed peculiar characteristics in the handwriting on the documents – traits not found in Bach's known compositions.
Wollny spent years analyzing the unique features of the score, including an unusual seven-bar ostinato bass motif and a four-part fugue that was unprecedented at the time. His painstaking work yielded an impressive list of 20 additional documents with matching handwriting, all dated between 1705 and 1715.
The breakthrough came in 2012 when Wollny's colleague Bernd Koska discovered a letter written by Salomon Günther John, an organist who applied for a job at Schleiz Church. The letter confirmed that the handwriting on Wollny's documents matched John's, thereby connecting him to the disputed works.
The researchers carefully weighed the evidence, dismissing a theory suggesting that the compositions might have been penned by John as his teacher Bach. Instead, they were convinced that the young student, Salomon Günther John, was the likely author of these remarkable organ works.
Wollny's perseverance ultimately paid off in 2023 when a court document written by John in 1716 matched the handwriting with absolute certainty. The musicologist recalled his reaction to the breakthrough with a humble grin, saying he didn't celebrate in an exaggerated manner but felt content knowing that his life-long quest had finally been resolved.
This remarkable story highlights the dedication and perseverance required to uncover lost musical treasures. As Wollny noted wistfully, the advent of artificial intelligence might streamline such processes in the future, but for now, it's a testament to human intuition and meticulous research that these enigmatic works have been brought to light after three-and-a-half decades of tireless effort.
Despite his extensive research spanning decades, Wollny initially didn't consider the possibility that these works could be composed by Bach himself. Instead, he suspected they might have been penned by one of his students or a copyist. However, as his investigation progressed, he noticed peculiar characteristics in the handwriting on the documents – traits not found in Bach's known compositions.
Wollny spent years analyzing the unique features of the score, including an unusual seven-bar ostinato bass motif and a four-part fugue that was unprecedented at the time. His painstaking work yielded an impressive list of 20 additional documents with matching handwriting, all dated between 1705 and 1715.
The breakthrough came in 2012 when Wollny's colleague Bernd Koska discovered a letter written by Salomon Günther John, an organist who applied for a job at Schleiz Church. The letter confirmed that the handwriting on Wollny's documents matched John's, thereby connecting him to the disputed works.
The researchers carefully weighed the evidence, dismissing a theory suggesting that the compositions might have been penned by John as his teacher Bach. Instead, they were convinced that the young student, Salomon Günther John, was the likely author of these remarkable organ works.
Wollny's perseverance ultimately paid off in 2023 when a court document written by John in 1716 matched the handwriting with absolute certainty. The musicologist recalled his reaction to the breakthrough with a humble grin, saying he didn't celebrate in an exaggerated manner but felt content knowing that his life-long quest had finally been resolved.
This remarkable story highlights the dedication and perseverance required to uncover lost musical treasures. As Wollny noted wistfully, the advent of artificial intelligence might streamline such processes in the future, but for now, it's a testament to human intuition and meticulous research that these enigmatic works have been brought to light after three-and-a-half decades of tireless effort.