A cinematic exercise in meticulous detail has just landed on Irish shores, touting itself as the definitive account of one of the most infamous episodes in Republic of Ireland football history. Glenn Leyburn's and Lisa Barros D'Sa's "Saipan" is a film that's all about getting it right – from the meticulously recreated tracksuits to the painstakingly re-created press conferences.
This level of attention to detail does raise an interesting question, though: what's the point? Why bother recreating every frame of every scene if the actual footage already exists? And yet, the filmmakers seem determined to recreate them, often with admirable accuracy. This becomes particularly evident in the climactic "stick it up your bollocks" tirade, which is reproduced almost verbatim from the original press conference.
However, this meticulous attention to detail raises another question: at what cost? The film's portrayal of Roy Keane and Mick McCarthy's infamous dispute has been widely panned by those who actually witnessed it, with many disputing some of the key events that have been recreated on screen. The film depicts Keane as a hotheaded, entitled figure, while its portrayal of McCarthy is more sympathetic.
One wonders why this wasn't simply a documentary. Why dramatize what's already been recorded? Perhaps the filmmakers hoped to create a more compelling narrative around the events, but in doing so, they've created a film that feels curiously detached from reality.
The result is a jarring mix of drama and documentary that doesn't quite cohere. While Éanna Hardwicke shines as Keane, Steve Coogan fares less well as McCarthy – particularly when it comes to capturing the older man's physical presence. The supporting cast isn't much better, with Steven Reid and Jason McAteer – two other named players in the film – feeling like mere caricatures.
Ultimately, "Saipan" feels like an aesthetic experiment gone wrong. Rather than presenting a compelling narrative, the filmmakers have created a film that's more concerned with reproducing historical events on screen than exploring their significance. It's not unlike trying to recreate a great painting by simply copying it frame for frame – there's no soul, no passion, no life in the process.
In short, "Saipan" is a film that fails to capture the essence of its subject matter. While it's impressive from an aesthetic standpoint, its narrative shortcomings make it feel like less than the sum of its parts.
This level of attention to detail does raise an interesting question, though: what's the point? Why bother recreating every frame of every scene if the actual footage already exists? And yet, the filmmakers seem determined to recreate them, often with admirable accuracy. This becomes particularly evident in the climactic "stick it up your bollocks" tirade, which is reproduced almost verbatim from the original press conference.
However, this meticulous attention to detail raises another question: at what cost? The film's portrayal of Roy Keane and Mick McCarthy's infamous dispute has been widely panned by those who actually witnessed it, with many disputing some of the key events that have been recreated on screen. The film depicts Keane as a hotheaded, entitled figure, while its portrayal of McCarthy is more sympathetic.
One wonders why this wasn't simply a documentary. Why dramatize what's already been recorded? Perhaps the filmmakers hoped to create a more compelling narrative around the events, but in doing so, they've created a film that feels curiously detached from reality.
The result is a jarring mix of drama and documentary that doesn't quite cohere. While Éanna Hardwicke shines as Keane, Steve Coogan fares less well as McCarthy – particularly when it comes to capturing the older man's physical presence. The supporting cast isn't much better, with Steven Reid and Jason McAteer – two other named players in the film – feeling like mere caricatures.
Ultimately, "Saipan" feels like an aesthetic experiment gone wrong. Rather than presenting a compelling narrative, the filmmakers have created a film that's more concerned with reproducing historical events on screen than exploring their significance. It's not unlike trying to recreate a great painting by simply copying it frame for frame – there's no soul, no passion, no life in the process.
In short, "Saipan" is a film that fails to capture the essence of its subject matter. While it's impressive from an aesthetic standpoint, its narrative shortcomings make it feel like less than the sum of its parts.