Frances McDormand's latest artistic endeavour, a collaboration with conceptual artist Suzanne Bocanegra, has shed new light on the Shakers, a Christian sect known for their simple, communal lifestyle and ecstatic worship. The exhibition, "Cradled," features adult-sized cradles, which were used by the Shakers to comfort the elderly and infirm, offering a poignant reminder of the group's values of care and compassion.
The project is not a performance, but an immersive experience that invites visitors to engage with the space and its themes. McDormand and Bocanegra aim to create a sense of calm and contemplation, encouraging audiences to slow down and appreciate the beauty in simplicity. The exhibition's focus on utility and functionality, rather than decoration, is a key aspect of the Shaker ethos, as explained by museum curator Sharon Koomler.
"We want people to feel free to be comfortable and sit," Bocanegra notes. "The audience decides how much time they want to spend with the piece, and we try to make this installation the kind of thing where you feel welcome and can contemplate." McDormand adds that she is "Shaker-adjacent" in spirit, embracing the community's values and ethos, even if not necessarily adhering to their theology.
The Shakers were known for their practicality and self-sufficiency, often creating innovative products, such as the 1960s Barbie doll dressed in a custom Shaker outfit. Their commitment to charity and helping those in need is also evident in their surplus production and community support.
"Cradled" runs until January 4th at Hauser & Wirth in Los Angeles.
The project is not a performance, but an immersive experience that invites visitors to engage with the space and its themes. McDormand and Bocanegra aim to create a sense of calm and contemplation, encouraging audiences to slow down and appreciate the beauty in simplicity. The exhibition's focus on utility and functionality, rather than decoration, is a key aspect of the Shaker ethos, as explained by museum curator Sharon Koomler.
"We want people to feel free to be comfortable and sit," Bocanegra notes. "The audience decides how much time they want to spend with the piece, and we try to make this installation the kind of thing where you feel welcome and can contemplate." McDormand adds that she is "Shaker-adjacent" in spirit, embracing the community's values and ethos, even if not necessarily adhering to their theology.
The Shakers were known for their practicality and self-sufficiency, often creating innovative products, such as the 1960s Barbie doll dressed in a custom Shaker outfit. Their commitment to charity and helping those in need is also evident in their surplus production and community support.
"Cradled" runs until January 4th at Hauser & Wirth in Los Angeles.