The article discusses the Brazilian art market and the gallery Simões de Assis, which has been a prominent player in the country's art scene for over 40 years. The gallery is led by its current director, Guilherme, who has been instrumental in shaping the gallery's strategy and vision.
Despite structural obstacles such as outdated tax laws, the Brazilian market remains resilient, thanks to a new generation of engaged collectors. These collectors are eager to access international artists and have been driving growth for the gallery.
The gallery's priority remains enhancing its international visibility and global appreciation for Brazilian art. To achieve this, they create multi-year strategies for each artist, identifying relevant institutions, curators, and galleries to target. This approach has enabled the gallery to build long-term relationships with artists and secure significant public and private collections.
One of the gallery's success stories is the artist Gabriel de la Mora, whose work was recently featured in a solo exhibition at the Simões de Assis gallery in São Paulo. The exhibition was well-received, with the show selling out quickly.
The article also highlights the gallery's efforts to promote Brazilian art globally. They have attended major international fairs such as Frieze London and continue to build their reputation as a leading gallery in the country.
Overall, the Simões de Assis gallery is a testament to the resilience and creativity of the Brazilian art market. Despite challenges, the gallery remains committed to showcasing exceptional Brazilian artists to an international audience, ensuring that their work continues to be appreciated and celebrated around the world.
Some key points from the article:
* The Brazilian art market remains resilient despite structural obstacles such as outdated tax laws.
* A new generation of engaged collectors is driving growth for the gallery.
* The gallery's priority is enhancing its international visibility and global appreciation for Brazilian art.
* They create multi-year strategies for each artist, identifying relevant institutions, curators, and galleries to target.
* Gabriel de la Mora was recently featured in a solo exhibition at the Simões de Assis gallery in São Paulo.
* The gallery has attended major international fairs such as Frieze London.
Some potential interview questions based on this article:
* Can you tell us more about your strategy for promoting Brazilian art globally?
* How do you think the Brazilian government can support the development of the country's art market?
* What challenges have you faced in recent years, and how have you overcome them?
* Can you describe your approach to working with artists and curators from around the world?
* How do you see the Simões de Assis gallery evolving in the next few years?
Despite structural obstacles such as outdated tax laws, the Brazilian market remains resilient, thanks to a new generation of engaged collectors. These collectors are eager to access international artists and have been driving growth for the gallery.
The gallery's priority remains enhancing its international visibility and global appreciation for Brazilian art. To achieve this, they create multi-year strategies for each artist, identifying relevant institutions, curators, and galleries to target. This approach has enabled the gallery to build long-term relationships with artists and secure significant public and private collections.
One of the gallery's success stories is the artist Gabriel de la Mora, whose work was recently featured in a solo exhibition at the Simões de Assis gallery in São Paulo. The exhibition was well-received, with the show selling out quickly.
The article also highlights the gallery's efforts to promote Brazilian art globally. They have attended major international fairs such as Frieze London and continue to build their reputation as a leading gallery in the country.
Overall, the Simões de Assis gallery is a testament to the resilience and creativity of the Brazilian art market. Despite challenges, the gallery remains committed to showcasing exceptional Brazilian artists to an international audience, ensuring that their work continues to be appreciated and celebrated around the world.
Some key points from the article:
* The Brazilian art market remains resilient despite structural obstacles such as outdated tax laws.
* A new generation of engaged collectors is driving growth for the gallery.
* The gallery's priority is enhancing its international visibility and global appreciation for Brazilian art.
* They create multi-year strategies for each artist, identifying relevant institutions, curators, and galleries to target.
* Gabriel de la Mora was recently featured in a solo exhibition at the Simões de Assis gallery in São Paulo.
* The gallery has attended major international fairs such as Frieze London.
Some potential interview questions based on this article:
* Can you tell us more about your strategy for promoting Brazilian art globally?
* How do you think the Brazilian government can support the development of the country's art market?
* What challenges have you faced in recent years, and how have you overcome them?
* Can you describe your approach to working with artists and curators from around the world?
* How do you see the Simões de Assis gallery evolving in the next few years?
The story about Simões de Assis gallery is so inspiring, especially with their commitment to showcasing exceptional Brazilian artists globally. It's amazing how a new generation of collectors has driven growth for the gallery, and I think this is the perfect example of how diverse talent can thrive in Brazil.
But it's clear that they're passionate about sharing Brazilian art with the world, and I think that's something we can all get behind.
Either way, it's clear that Simões de Assis is doing some amazing work, and I'm excited to see what they come up with next! 
. but i wonder how hard it must be to deal with all those obstacles and stuff 
. i think its also awesome that they have a strategy for each artist, like creating relationships with curators and galleries in other countries 
. its not easy making an exhibition sell out quickly though 
. what do you think is the main reason why brazilian art market is resilient? 
. I mean, sure, there are structural issues like outdated tax laws, but the market itself is still pretty resilient. And it's awesome to see a new generation of collectors getting into the game and driving growth for galleries like Simões de Assis 
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. It's not just about throwing some cash at an art fair and hoping something sticks – they're putting in real effort to create these multi-year strategies that really pay off 
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. That could really help spread the love for Brazilian art and introduce people to new talent 
. Keep pushing those boundaries and showing us what Brazil has to offer!
). There are so many talented people from all over the world coming together to create something amazing. And galleries like Simões de Assis are doing a great job of bringing that talent to the fore.
. I mean, you can tell they're doing something right because some of these galleries are getting international attention and sales are going through the roof 
. What I think is even more interesting is the whole "new generation of engaged collectors" thing. It’s like, they're not just buying art for their own collection, they're also trying to make a difference and put Brazil on the map 
The good news is that Brazilian art market is doing okay despite outdated tax laws, but the bad news is that collectors are getting richer and their prices are skyrocketing 
. This means the bubble will eventually burst and a lot of artists will be left holding the bag 
. They just keep churning out exhibitions and hoping someone buys some art 
. Not exactly inspiring stuff 
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. Gabriel de la Mora is an excellent example of this - his recent solo exhibition sold out quickly, and I'm sure we'll be seeing more of him in the future 
. It's awesome to see a new gen of collectors who are all about supporting local artists and pushing the market forward 
. It's clear that Guilherme and his team are committed to making Brazilian art a bigger part of the global conversation 
. So yeah, I think we can expect big things from Simões de Assis in the future 
first off, gotta give credit where credit is due... those collectors are the real MVPs 
It's amazing to see a new generation of collectors stepping up to support local talent, and Simões de Assis is definitely leading the charge. I mean, who wouldn't want to showcase some of Gabriel de la Mora's incredible work? 