
I gotta say, this Brazilian art market is like a well-oiled machine

. The fact that they're able to overcome obstacles like outdated tax laws and still thrive says a lot about the dedication of collectors and galleries like Simões de Assis

.
What's really interesting to me is how they're using strategic planning to build relationships with international institutions, curators, and collectors

. It's not just about showcasing Brazilian art, but also about creating a global platform for artists to reach a wider audience

.
I'm loving the success story of Gabriel de la Mora - it's awesome to see his work being celebrated on a global stage

. And kudos to Simões de Assis for attending major fairs like Frieze London, that's not an easy feat

.
Overall, this article makes me think that Brazilian art is more than just a niche market, it's a global phenomenon

. The creativity and resilience of the artists and galleries involved are what make it so compelling

.