UK concert ticket prices are spiraling out of control, forcing fans to make drastic choices. For many, attending live music events is no longer a viable option due to astronomical costs.
Take Amy Law, a 35-year-old Londoner who has all but given up on going to concerts. "I used to go to gigs weekly," she says. "But after prices skyrocketed, I haven't been since June." The former EDM fan cites the price of a Lost Frequencies show as the final straw: £50 was simply too much to bear. Amy's experience is not unique; a recent survey found that 40% of respondents had reduced their concert-going habits due to rising ticket prices.
The cost of living crisis and the proliferation of resale websites have contributed significantly to these price hikes. Dynamic ticket pricing, which allows artists and promoters to adjust prices based on demand, has also become a major factor. As a result, fans like Mark Rushton are being priced out of their favorite events. "It's outrageous," he says. "I saw Bruce Springsteen for £6.50 in 1981 – that's about £25 now." Rushton attributes the high costs to Ticketmaster, which has become the primary platform for ticket sales.
Many fans have taken matters into their own hands by booking flights and accommodation for shows abroad or exploring smaller venues. Nathan Maddison, a Newcastle resident who attended an Iron Maiden concert in June, opted not to attend due to financial constraints. "I will travel to gigs," he says. "But you've got to factor in transport and accommodation costs." Maddison is not alone; Elaine, 48, from London, has become a "one and done" gig goer due to the high prices of food and drink at larger venues.
In response to rising ticket prices, fans like Mark Woollard are embracing smaller gigs and up-and-coming artists. He says that attending intimate shows in grassroots venues has been "great" – not only do the tickets cost significantly less (£16 or £17), but he often gets to meet the artists themselves after their performances.
Mark's new approach has broadened his musical horizons, allowing him to discover new bands and experiences. "I've always been interested in finding new artists," he says. "In the last couple of years, I've actively gone out and hunted down these little gigs." As the UK concert ticket market continues to evolve, fans will need to adapt – or take a chance on international events like Amy did.
Take Amy Law, a 35-year-old Londoner who has all but given up on going to concerts. "I used to go to gigs weekly," she says. "But after prices skyrocketed, I haven't been since June." The former EDM fan cites the price of a Lost Frequencies show as the final straw: £50 was simply too much to bear. Amy's experience is not unique; a recent survey found that 40% of respondents had reduced their concert-going habits due to rising ticket prices.
The cost of living crisis and the proliferation of resale websites have contributed significantly to these price hikes. Dynamic ticket pricing, which allows artists and promoters to adjust prices based on demand, has also become a major factor. As a result, fans like Mark Rushton are being priced out of their favorite events. "It's outrageous," he says. "I saw Bruce Springsteen for £6.50 in 1981 – that's about £25 now." Rushton attributes the high costs to Ticketmaster, which has become the primary platform for ticket sales.
Many fans have taken matters into their own hands by booking flights and accommodation for shows abroad or exploring smaller venues. Nathan Maddison, a Newcastle resident who attended an Iron Maiden concert in June, opted not to attend due to financial constraints. "I will travel to gigs," he says. "But you've got to factor in transport and accommodation costs." Maddison is not alone; Elaine, 48, from London, has become a "one and done" gig goer due to the high prices of food and drink at larger venues.
In response to rising ticket prices, fans like Mark Woollard are embracing smaller gigs and up-and-coming artists. He says that attending intimate shows in grassroots venues has been "great" – not only do the tickets cost significantly less (£16 or £17), but he often gets to meet the artists themselves after their performances.
Mark's new approach has broadened his musical horizons, allowing him to discover new bands and experiences. "I've always been interested in finding new artists," he says. "In the last couple of years, I've actively gone out and hunted down these little gigs." As the UK concert ticket market continues to evolve, fans will need to adapt – or take a chance on international events like Amy did.