For Many Music Fans, The Cost of a Ticket Has Become Insurmountable
As prices continue to soar for live music events in the UK, fans are being forced to make tough decisions about how often they can attend concerts. For some, the cost has become too high, leading them to opt out altogether.
Amy Law, a 35-year-old New Zealander living in London, is not alone in her struggles. She used to attend gigs weekly, but since June, she hasn't been able to afford tickets anymore. The rise of dynamic pricing and resale websites has made it difficult for fans like Amy to find affordable options.
"I've decided against seeing Lost Frequencies at Electric Brixton this week because the ticket was over £50," she says. "It's a shame because gigs are such an amazing way to experience live music, but we're missing out."
Amy has taken matters into her own hands by booking a flight to Luxembourg to see Lorde play for €50 (£43.62). While it may not be the same as attending a gig in the UK, she believes it's worth it to see her favorite artist perform live.
Mark Rushton, a 65-year-old from Bury, has also been affected by the rising costs of tickets. He points out that extra fees for larger gigs have put him off going to see shows in Manchester. "It's outrageous prices, plus booking fees and car parks," he says.
Rushton blames Ticketmaster for enabling high fees and notes that the company must now give fans more information about ticket pricing while they're in online queues.
Nathan Maddison, a 57-year-old finance technician from Newcastle, is cutting back on larger gigs due to financial constraints. "I turned down an opportunity to see Iron Maiden in June because it was just not financially doable," he says.
Elaine, a 48-year-old from London, has also been affected by the rising costs of tickets. She's recently become a "one and done" gig goer, meaning she only attends one show per event. "Outrageous ticket prices have stopped me going to see someone I've seen before," she says.
In contrast, Mark Woollard, a 51-year-old facilities manager from London, has found ways to attend smaller gigs that fit within his budget. He's started looking for up-and-coming artists and attending grassroots events. "It's been great to experience truly intimate gigs in smaller venues," he says.
Woollard notes that these shows often come with perks like meeting the artists themselves selling merchandise after their performances.
As prices continue to soar for live music events in the UK, fans are being forced to make tough decisions about how often they can attend concerts. For some, the cost has become too high, leading them to opt out altogether.
Amy Law, a 35-year-old New Zealander living in London, is not alone in her struggles. She used to attend gigs weekly, but since June, she hasn't been able to afford tickets anymore. The rise of dynamic pricing and resale websites has made it difficult for fans like Amy to find affordable options.
"I've decided against seeing Lost Frequencies at Electric Brixton this week because the ticket was over £50," she says. "It's a shame because gigs are such an amazing way to experience live music, but we're missing out."
Amy has taken matters into her own hands by booking a flight to Luxembourg to see Lorde play for €50 (£43.62). While it may not be the same as attending a gig in the UK, she believes it's worth it to see her favorite artist perform live.
Mark Rushton, a 65-year-old from Bury, has also been affected by the rising costs of tickets. He points out that extra fees for larger gigs have put him off going to see shows in Manchester. "It's outrageous prices, plus booking fees and car parks," he says.
Rushton blames Ticketmaster for enabling high fees and notes that the company must now give fans more information about ticket pricing while they're in online queues.
Nathan Maddison, a 57-year-old finance technician from Newcastle, is cutting back on larger gigs due to financial constraints. "I turned down an opportunity to see Iron Maiden in June because it was just not financially doable," he says.
Elaine, a 48-year-old from London, has also been affected by the rising costs of tickets. She's recently become a "one and done" gig goer, meaning she only attends one show per event. "Outrageous ticket prices have stopped me going to see someone I've seen before," she says.
In contrast, Mark Woollard, a 51-year-old facilities manager from London, has found ways to attend smaller gigs that fit within his budget. He's started looking for up-and-coming artists and attending grassroots events. "It's been great to experience truly intimate gigs in smaller venues," he says.
Woollard notes that these shows often come with perks like meeting the artists themselves selling merchandise after their performances.