Mike Joyce recalls the chaotic night when The Queen Is Dead tour hit Salford Maxwell Hall in July 1986. "It was terrifying," he admits, reflecting on his favorite Smiths gig. The venue was so crowded that people were crying and strangers were hugging each other. The show ended with a sense of delirium, even before Morrissey's iconic performance.
Joyce, the drummer for the band, has written a memoir, "The Drums," which celebrates the Smiths' incredible journey. He aims to focus on the majesty of their music, rather than dwelling on the negative aspects of their history. The book covers the period from the band's formation to their split in 1987.
Born into an Irish Catholic family in Manchester, Joyce grew up with a strong faith but also experienced a happy childhood filled with love. However, his life was not without its traumas. At six months old, he suffered internal bleeding after being hit by a car outside his house, which nearly took his life. The seizures faded after a year.
Joyce's journey to becoming the Smiths' drummer began when he saw John Maher's drumming for Buzzcocks live and became inspired to buy a kit. He even tracked down Pete Shelley's house once but was rejected by the frontman. After an audition, Joyce joined the Smiths as they prepared for their Top of the Pops appearance.
Before the band took the stage, Joyce had taken some mushrooms before his audition, which left him in a state of hallucination. The dynamics of the band were already established: Marr as the MD and Morrissey as the enigmatic Steven from Stretford. Although Joyce struggled to describe Morrissey in his book, he acknowledges that the singer was "fucking great" and "very funny." Their relationship was unusual, with a distance between them.
Joyce praises Marr's productivity, particularly his ability to come up with new material while having a spliff in his "jim-jams." He also highlights Morrissey's unique songwriting style, which combined gruesome, handsome, vile, and charming elements. Andy Rourke joined the band later as the bassist, who Joyce affectionately writes about.
The band's popularity led to some tensions, including a meeting with their accountant where they discovered that only Morrissey and Marr had signed the contract, leaving Joyce and Rourke out of the loop. Joyce refused to take a pay cut from 25% to 15%, which was suggested by Rough Trade employee Martha Defoe on Morrissey's behalf.
The situation escalated into a court case in 1996, with Judge John Weeks ruling in Joyce's favor after a seven-day hearing. He was awarded Β£1 million, citing that Morrissey and Marr were "devious, truculent and unreliable." The case caused a schism within the Smiths fanbase, with some treading Joyce on social media.
In recent years, there have been rumors of a possible Smiths reunion tour, but Joyce doubts he would have been asked to join due to his role in the court case. More recently, Morrissey announced that he wanted to sell his business interests in the band, inviting potential buyers to send an email. When asked if he wishes Morrissey ill, Joyce responds, "I don't," acknowledging that it's confusing.
Despite everything, Joyce remains proud of his time with the Smiths. "I was in the coolest, best British band that's ever been. In my life, I definitely rolled a seven."
Joyce, the drummer for the band, has written a memoir, "The Drums," which celebrates the Smiths' incredible journey. He aims to focus on the majesty of their music, rather than dwelling on the negative aspects of their history. The book covers the period from the band's formation to their split in 1987.
Born into an Irish Catholic family in Manchester, Joyce grew up with a strong faith but also experienced a happy childhood filled with love. However, his life was not without its traumas. At six months old, he suffered internal bleeding after being hit by a car outside his house, which nearly took his life. The seizures faded after a year.
Joyce's journey to becoming the Smiths' drummer began when he saw John Maher's drumming for Buzzcocks live and became inspired to buy a kit. He even tracked down Pete Shelley's house once but was rejected by the frontman. After an audition, Joyce joined the Smiths as they prepared for their Top of the Pops appearance.
Before the band took the stage, Joyce had taken some mushrooms before his audition, which left him in a state of hallucination. The dynamics of the band were already established: Marr as the MD and Morrissey as the enigmatic Steven from Stretford. Although Joyce struggled to describe Morrissey in his book, he acknowledges that the singer was "fucking great" and "very funny." Their relationship was unusual, with a distance between them.
Joyce praises Marr's productivity, particularly his ability to come up with new material while having a spliff in his "jim-jams." He also highlights Morrissey's unique songwriting style, which combined gruesome, handsome, vile, and charming elements. Andy Rourke joined the band later as the bassist, who Joyce affectionately writes about.
The band's popularity led to some tensions, including a meeting with their accountant where they discovered that only Morrissey and Marr had signed the contract, leaving Joyce and Rourke out of the loop. Joyce refused to take a pay cut from 25% to 15%, which was suggested by Rough Trade employee Martha Defoe on Morrissey's behalf.
The situation escalated into a court case in 1996, with Judge John Weeks ruling in Joyce's favor after a seven-day hearing. He was awarded Β£1 million, citing that Morrissey and Marr were "devious, truculent and unreliable." The case caused a schism within the Smiths fanbase, with some treading Joyce on social media.
In recent years, there have been rumors of a possible Smiths reunion tour, but Joyce doubts he would have been asked to join due to his role in the court case. More recently, Morrissey announced that he wanted to sell his business interests in the band, inviting potential buyers to send an email. When asked if he wishes Morrissey ill, Joyce responds, "I don't," acknowledging that it's confusing.
Despite everything, Joyce remains proud of his time with the Smiths. "I was in the coolest, best British band that's ever been. In my life, I definitely rolled a seven."