OMG I'm literally blown away by Julius Eastman's music!!! I mean, I've studied it in my music theory class 
and it's crazy how innovative and ahead of its time he was 
. The way Davóne Tines performed "The Holy Presence of Joan d'Arc" gave me chills, especially when his voice just echoed through the auditorium like that 
. I wish there were more cellos in that piece though, it felt a bit bare at times. But overall, I think Eastman's music is proof that art should be all about taking risks and pushing boundaries 
. The fact that he was part performance art, part sonic experimentation is so inspiring!
and it's crazy how innovative and ahead of its time he was . The way Davóne Tines performed "The Holy Presence of Joan d'Arc" gave me chills, especially when his voice just echoed through the auditorium like that . I wish there were more cellos in that piece though, it felt a bit bare at times. But overall, I think Eastman's music is proof that art should be all about taking risks and pushing boundaries . The fact that he was part performance art, part sonic experimentation is so inspiring!
I mean, Davóne Tines's performance was SO iconic, but can we talk about how the original arrangement left us wanting more? like, 10 cellos would've been LIFE.CHANGING 
. And I'm loving that Eastman's music is all about pushing boundaries and experimenting with sound – it's like he knew the power of a good pas de deux 
. But what really got me was how Tines brought his own energy to each piece, making you feel like Joan d'Arc herself, fist raised in defiance 
I loved watching Davóne Tines bring Julius Eastman's innovative minimalist style to life on stage. The way he performed "The Holy Presence of Joan d'Arc" was truly mesmerizing, especially with his powerful voice commanding attention in the auditorium. 
It's crazy to think that all ten cellos weren't able to join in on that one piece - it would've added so much depth and complexity to the music! 
And that "Gay Guerilla" piece? Mind-blowing! The way the dancers moved with precision, while the music built in harmonic complexity... it was like a whole new world opened up on stage 
.
still can't get that piece out of my head and the idea of EIN FESTE BURG just gives me CHILLS 
. I mean, who wouldn't be inspired by a piece that celebrates defiance and independence? It's like Eastman's music is speaking straight to our souls.
The way he incorporated dance and choreography into "Gay Guerilla" was pure magic 
. I love how Eastman's music is all about pushing boundaries and taking risks – it's like he's saying, "Hey, let's try this crazy thing and see where it takes us!" 