Kwame Brathwaite, a pioneering photographer and activist who played a pivotal role in shaping the "Black is Beautiful" movement of the 1960s and beyond, has passed away at the age of 85. Born in 1938 to Barbadian immigrants in New York City, Brathwaite's life was marked by his unwavering commitment to celebrating Black culture and identity through photography.
Brathwaite's journey into photography began when he encountered a haunting image of Emmett Till in an open casket at the age of 17. This encounter sparked a passion for photography that would drive him to document the lives and experiences of Black people throughout his career. Alongside his brother Elombe, Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS), which became a hub for promoting Black artistic expression.
In the early 1960s, AJASS launched the Grandassa Models project, featuring young Black women with unapologetically natural hair. These photographs celebrated the beauty of Blackness and challenged Eurocentric beauty standards that had long marginalized Black people. The success of this project led to an annual fashion show, "Naturally '62," which ran until 1992.
Throughout his career, Brathwaite worked with jazz legends such as Miles Davis, John Coltrane, and Thelonious Monk, capturing the essence of their performances through photography. He also photographed influential figures like Nina Simone, Stevie Wonder, and Bob Marley, cementing his legacy as a documentarian of Black culture.
In the 1970s, Brathwaite shifted his focus to other forms of popular Black music, traveling to Africa with the Jackson Five and documenting the historic "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman. Commissions continued throughout the decades, including a recent shoot for The New Yorker.
Throughout his life, Brathwaite remained committed to the "Black is Beautiful" ethos, which emphasized the importance of celebrating Black identity and culture. His work continues to inspire new generations of artists and activists, solidifying his place as one of the most influential photographers of our time.
Brathwaite's journey into photography began when he encountered a haunting image of Emmett Till in an open casket at the age of 17. This encounter sparked a passion for photography that would drive him to document the lives and experiences of Black people throughout his career. Alongside his brother Elombe, Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS), which became a hub for promoting Black artistic expression.
In the early 1960s, AJASS launched the Grandassa Models project, featuring young Black women with unapologetically natural hair. These photographs celebrated the beauty of Blackness and challenged Eurocentric beauty standards that had long marginalized Black people. The success of this project led to an annual fashion show, "Naturally '62," which ran until 1992.
Throughout his career, Brathwaite worked with jazz legends such as Miles Davis, John Coltrane, and Thelonious Monk, capturing the essence of their performances through photography. He also photographed influential figures like Nina Simone, Stevie Wonder, and Bob Marley, cementing his legacy as a documentarian of Black culture.
In the 1970s, Brathwaite shifted his focus to other forms of popular Black music, traveling to Africa with the Jackson Five and documenting the historic "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman. Commissions continued throughout the decades, including a recent shoot for The New Yorker.
Throughout his life, Brathwaite remained committed to the "Black is Beautiful" ethos, which emphasized the importance of celebrating Black identity and culture. His work continues to inspire new generations of artists and activists, solidifying his place as one of the most influential photographers of our time.