James MacMillan's latest work is an unconventional take on the Christmas story, boasting an eclectic mix of styles and moods. The 21st-century composer has drawn inspiration from various musical traditions, resulting in a unique choral performance that diverges from the familiar associations with Bach's iconic 1734 version.
As the orchestra swelled to life, MacMillan's choral writing took on a demanding quality, pushing the BBC Symphony Chorus to deliver atmospheric performances. The chorus was initially tentative but soon found their footing, particularly in the quieter sections showcasing their excellent diction and silky blend. A highlight of the performance came with the unaccompanied "O magnum mysterium," where the upper voices' slow unfolding was magical, floating over barely audible passagework.
In terms of vocal soloists, Roderick Williams' warm baritone and Rhian Lois's harder soprano formed a compelling partnership, with both artists delivering memorable performances. Williams brought his peerless storytelling ability to the forefront in his second aria, while Lois provided a luminous gilding in the large-scale ensembles.
The BBC Symphony Orchestra also delivered numerous standout moments throughout the performance, from the chiming harp and icy string tremolo to orchestral chords balanced to sound uncannily like an organ. However, despite these pleasures, MacMillan's Christmas Oratorio still feels somewhat incomplete, with its ending feeling peculiarly abrupt. Nevertheless, this was a ferociously committed performance that left the large audience roaring with approval.
The musical language on display in MacMillan's latest work is undeniably complex and challenging, making it an event worth attending for those willing to immerse themselves in its many textures and moods.
As the orchestra swelled to life, MacMillan's choral writing took on a demanding quality, pushing the BBC Symphony Chorus to deliver atmospheric performances. The chorus was initially tentative but soon found their footing, particularly in the quieter sections showcasing their excellent diction and silky blend. A highlight of the performance came with the unaccompanied "O magnum mysterium," where the upper voices' slow unfolding was magical, floating over barely audible passagework.
In terms of vocal soloists, Roderick Williams' warm baritone and Rhian Lois's harder soprano formed a compelling partnership, with both artists delivering memorable performances. Williams brought his peerless storytelling ability to the forefront in his second aria, while Lois provided a luminous gilding in the large-scale ensembles.
The BBC Symphony Orchestra also delivered numerous standout moments throughout the performance, from the chiming harp and icy string tremolo to orchestral chords balanced to sound uncannily like an organ. However, despite these pleasures, MacMillan's Christmas Oratorio still feels somewhat incomplete, with its ending feeling peculiarly abrupt. Nevertheless, this was a ferociously committed performance that left the large audience roaring with approval.
The musical language on display in MacMillan's latest work is undeniably complex and challenging, making it an event worth attending for those willing to immerse themselves in its many textures and moods.
just sit back relax and enjoy the ride, you know? like, i went to see this christmas oratorio thingy last night and it was bloody fantastic, but now every review's gotta compare it to some other classical piece from 50 years ago... can't they just give something new its own merits for once? 
like remember when his christmas carol was first performed back in 1942? it was a game changer, right? 
, Roderick Williams' performance was fantastic and I loved how the harp added this magical touch to the music. But for me, it's all a bit confusing - I need to listen to it again before I fully understand what MacMillan is trying to achieve with his unique blend of styles 
I mean, have you ever felt like the Christmas story needs a major reboot? Like, we've been hearing the same old tale of Mary, Joseph, Jesus, and the Three Wise Men since forever... 
It's time for something fresh and experimental! 
It was magical, trust me! 
And let's not forget the vocal soloists - Roderick Williams' baritone and Rhian Lois's soprano were like butter and honey for my ears 
. My only gripes would be that the ending felt a bit abrupt (I mean, who doesn't love a good dramatic flourish?) and the musical language was sometimes overwhelming... but overall, I'd say MacMillan's Christmas Oratorio is a real game-changer 
.