Mike Bubbins' Mammoth has found its footing as a subversive sitcom about masculinity, nostalgia, and the absurdities of modern Britain. The show's 53-year-old star plays Tony Mammoth, a PE teacher who was unearthed nearly half a century after being buried in an avalanche. With his dated values and borderline offensive views, Mammoth is a relic of a bygone era - but one that still manages to elicit laughter.
Bubbins' impeccable deadpan delivery brings the show's humor, which flows both ways: when Mammoth looks at modern society with disdain, it can be hard not to laugh. But there's also a genuine affection for his protagonist, who embodies unshakeable confidence and breathtaking selfishness. As Mammoth struggles to comprehend present-day tastes, we're on his side, enjoying the nostalgia and comfort of seeing him indulge in old habits like sipping Cinzano or watching Minder.
This second series sees Mammoth bond with Michael (Al Roberts), a younger man who fetishizes the 1970s, but some gulf remains unbridgeable - like when Michael requests alcohol-free beer. Bubbins' creation is fueled by his heartfelt obsession with the decade, and it shows in every aspect of the show.
However, while Mammoth has its moments, other characters often fall short. Joel Davison's Theo is a low-energy wallflower who contrasts starkly with his grandfather, but others, like Mel (Sian Gibson), struggle to make an impact due to their accents. Sometimes, this break in tone disrupts the show's spell.
By the end of this second series, Mammoth has started to wear thin - not necessarily because it needs improvement, but perhaps because we've had a taste of its unique brand of humor. The question remains: can Tony Mammoth evolve into someone who prioritizes others and takes safety seriously? If so, would that be any less fun?
Bubbins' impeccable deadpan delivery brings the show's humor, which flows both ways: when Mammoth looks at modern society with disdain, it can be hard not to laugh. But there's also a genuine affection for his protagonist, who embodies unshakeable confidence and breathtaking selfishness. As Mammoth struggles to comprehend present-day tastes, we're on his side, enjoying the nostalgia and comfort of seeing him indulge in old habits like sipping Cinzano or watching Minder.
This second series sees Mammoth bond with Michael (Al Roberts), a younger man who fetishizes the 1970s, but some gulf remains unbridgeable - like when Michael requests alcohol-free beer. Bubbins' creation is fueled by his heartfelt obsession with the decade, and it shows in every aspect of the show.
However, while Mammoth has its moments, other characters often fall short. Joel Davison's Theo is a low-energy wallflower who contrasts starkly with his grandfather, but others, like Mel (Sian Gibson), struggle to make an impact due to their accents. Sometimes, this break in tone disrupts the show's spell.
By the end of this second series, Mammoth has started to wear thin - not necessarily because it needs improvement, but perhaps because we've had a taste of its unique brand of humor. The question remains: can Tony Mammoth evolve into someone who prioritizes others and takes safety seriously? If so, would that be any less fun?
I love how he brings this lovable, outdated character to life 
. The humor is literally killing me, especially when Tony looks at modern society like it's from outer space 
! And can we talk about the nostalgia? I'm all in for more of that 1970s vibes 
. My only gripe is with some of the character development - Theo feels a bit one-dimensional, and Mel's accent doesn't quite mesh 
. BUT, I think Tony Mammoth has so much potential for growth 
. Like, can we see him learn to be more considerate? It'd still be hilarious, but also kind of nice 
.
. And I get what you mean about Tony Mammoth wearing thin - sometimes he comes off as more annoying than hilarious 
. Still, the show's humor is infectious and nostalgic vibes are on point 
. Can't wait to see how this guy evolves (or not) in future seasons 
. And don't even get me started on the accents - it's like they're intentionally trying to be cringeworthy 
I'm shipping them so hard! The 1970s vibes are on point and it's clear Bubbins is a huge fanboy (same here, lol) 
But yeah, some of the supporting characters feel a bit meh... like Mel's accent kinda falls flat 
. I mean, I'm all for nostalgic humor and it's great that the show doesn't shy away from it 
. It's like bein' back in the 70s again, with a laugh and a pint 
. Otherwise, it feels like we're just stuck in a time loop 
.
. Still, I'd watch another season just to see where Tony Mammoth ends up! 
. What really gets me is how much love Mike Bubbins pours into every aspect of the show – it's not hard to tell he's a total 70s fanatic 
. Would be interesting to see Mammoth evolve in some way, but would that lose its humor? probably not 
cant wait to see how he interacts w/ michael tho, sounds like they're gonna have some good banter! 
this show is a total riot! Mike Bubbins is 
as the clueless but lovable Tony Mammoth. I love how he just owns his dated values and makes you laugh 
. Still, Mammoth is a winner in my book 
! Can't wait to see what he gets up to next 
! Interesting 
, the show's humor is really funny, but it also makes you feel kinda bad for Tony Mammoth at the same time 
. that being said, it's also interesting to see Mammoth struggle with modern society – would it be funnier if he just learned to adapt? 
. And the part where Tony Mammoth gets drunk and slurs his words just because he's trying to connect with this young bloke... isn't that kinda problematic? Like, I get it, satire is hard, but does it need to be so shallow?