Megadeth is hanging up its guitars, and the end is nigh. Frontman Dave Mustaine announced last August that the thrash metal legends would be calling it quits with a final album and tour, which he likened to an existential crisis ("some say this is the end of times") and boldly claimed that they changed the world.
But what's behind this unexpected retirement? The answer lies in Mustaine's deteriorating health – arthritis and Dupuytren's contracture are crippling his guitar-playing days. Yet, just three months later, he revealed that the farewell tour wouldn't be an early retirement party; it would last "easily ... three to five years".
Megadeth's new music, aptly titled their 17th studio album, feels like a career recap – rather than a bold return to form. The opener Tipping Point stands out as a high-energy tribute to the thrash metal genre they pioneered. Yet, other tracks such as Made to Kill and Let There Be Shred demonstrate that despite some growing pains, Megadeth is still capable of creating compelling music.
Interestingly, I Don't Care displays punkish leanings reminiscent of their mid-to-late 90s style and even showcases some strong songwriting on "Puppet Parade", which should please fans of the band's melodic side.
However, not all tracks on this album are winners. Some sound musically unremarkable, like Obey the Call, with lyrics about ghostly puppetmasters controlling the world's evils that may not sit well with longtime fans. On The Final Note, Megadeth takes aim at both their devoted audience and potential haters – though it's a rather confusing and heavy-handed approach.
A surprising bonus track sees Megadeth take on Metallica's "Ride the Lightning", reworking the classic in an attempt to reclaim ownership over some of Metallica's material. Some may see this as an attempt to stir up old wounds, but Mustaine has been vocal about his past with Metallica for years.
In any case, this is Megadeth's swansong – and it's a fitting (if sometimes messy) conclusion to their storied career.
But what's behind this unexpected retirement? The answer lies in Mustaine's deteriorating health – arthritis and Dupuytren's contracture are crippling his guitar-playing days. Yet, just three months later, he revealed that the farewell tour wouldn't be an early retirement party; it would last "easily ... three to five years".
Megadeth's new music, aptly titled their 17th studio album, feels like a career recap – rather than a bold return to form. The opener Tipping Point stands out as a high-energy tribute to the thrash metal genre they pioneered. Yet, other tracks such as Made to Kill and Let There Be Shred demonstrate that despite some growing pains, Megadeth is still capable of creating compelling music.
Interestingly, I Don't Care displays punkish leanings reminiscent of their mid-to-late 90s style and even showcases some strong songwriting on "Puppet Parade", which should please fans of the band's melodic side.
However, not all tracks on this album are winners. Some sound musically unremarkable, like Obey the Call, with lyrics about ghostly puppetmasters controlling the world's evils that may not sit well with longtime fans. On The Final Note, Megadeth takes aim at both their devoted audience and potential haters – though it's a rather confusing and heavy-handed approach.
A surprising bonus track sees Megadeth take on Metallica's "Ride the Lightning", reworking the classic in an attempt to reclaim ownership over some of Metallica's material. Some may see this as an attempt to stir up old wounds, but Mustaine has been vocal about his past with Metallica for years.
In any case, this is Megadeth's swansong – and it's a fitting (if sometimes messy) conclusion to their storied career.