The soundtrack of a forgotten era: Gay porn composers lost to the Aids crisis
Michael Ely and James Allan Taylor, two musicians who met at a gay bar in Sunset Beach, California, would go on to create some of the most hauntingly beautiful music in the world. Their collaboration was born out of necessity - both were struggling artists, and the work was just another way to make ends meet.
As Ely recalled, "We weren't really into porn, it was just something we needed to do." Taylor, on the other hand, was more known for his impressive guitar playing, with Eddie Van Halen reportedly saying he was the greatest guitarist he'd ever heard. The two musicians were part of a post-punk outfit called Red Wedding, which was made up entirely of openly gay men.
However, their lives took a drastic turn when Aids reared its ugly head in the mid-80s. "It was like one moment it was a little blip, something we heard was going on in San Francisco," Ely said. "The next thing friends of friends were dying, and then our friends were dying." The pair ended up moving to Arizona, away from the music scene and the pain that came with it.
Years later, their music has been unearthed by a record label, Dark Entries, which focuses on celebrating overlooked gay artists and releasing their lesser-known forays into soundtracking gay porn. Josh Cheon, the label's founder, was driven by a desire to amplify the underground gay music scene, which had been largely erased from history.
"It's so nice to have Brandy Dalton's work out," said John Munt, Dalton's bandmate. "He carried on making music, but things got tough for him. Aids really ravaged him and he needed to use a lot of drugs for the extreme pain."
For Ely, re-releasing Taylor's music is more than just a tribute - it's a way to keep his memory alive. "I'll always be in awe of him," Ely said. "He was an incredible, gifted, loving person, and until the day I die I will keep talking about him."
The music that has been released by Dark Entries is a testament to the creativity and talent of these late artists. From melodic electronica to squelchy electro via minimal industrial techno, their soundtracks are a reflection of the underground gay community's experimental and avant-garde spirit.
As Ely so eloquently put it, "It means a lot to me. It celebrates Spider one more time. I'll always be in awe of him, and I'll always be in love with him." The music of Taylor and Dalton is a reminder that their legacy lives on, even years after their passing.
The Aids crisis had a devastating impact on the gay community, but it also gave rise to some incredible music. By re-releasing this forgotten era, Dark Entries is not only giving these artists a new lease on life but also celebrating the resilience and creativity of a community that was pushed to the brink of extinction.
As Ely said, "It's so nice to have Brandy's work out." It's a tribute not just to Dalton but to the entire underground gay music scene - a testament to the power of music to transcend pain, loss, and trauma.
Michael Ely and James Allan Taylor, two musicians who met at a gay bar in Sunset Beach, California, would go on to create some of the most hauntingly beautiful music in the world. Their collaboration was born out of necessity - both were struggling artists, and the work was just another way to make ends meet.
As Ely recalled, "We weren't really into porn, it was just something we needed to do." Taylor, on the other hand, was more known for his impressive guitar playing, with Eddie Van Halen reportedly saying he was the greatest guitarist he'd ever heard. The two musicians were part of a post-punk outfit called Red Wedding, which was made up entirely of openly gay men.
However, their lives took a drastic turn when Aids reared its ugly head in the mid-80s. "It was like one moment it was a little blip, something we heard was going on in San Francisco," Ely said. "The next thing friends of friends were dying, and then our friends were dying." The pair ended up moving to Arizona, away from the music scene and the pain that came with it.
Years later, their music has been unearthed by a record label, Dark Entries, which focuses on celebrating overlooked gay artists and releasing their lesser-known forays into soundtracking gay porn. Josh Cheon, the label's founder, was driven by a desire to amplify the underground gay music scene, which had been largely erased from history.
"It's so nice to have Brandy Dalton's work out," said John Munt, Dalton's bandmate. "He carried on making music, but things got tough for him. Aids really ravaged him and he needed to use a lot of drugs for the extreme pain."
For Ely, re-releasing Taylor's music is more than just a tribute - it's a way to keep his memory alive. "I'll always be in awe of him," Ely said. "He was an incredible, gifted, loving person, and until the day I die I will keep talking about him."
The music that has been released by Dark Entries is a testament to the creativity and talent of these late artists. From melodic electronica to squelchy electro via minimal industrial techno, their soundtracks are a reflection of the underground gay community's experimental and avant-garde spirit.
As Ely so eloquently put it, "It means a lot to me. It celebrates Spider one more time. I'll always be in awe of him, and I'll always be in love with him." The music of Taylor and Dalton is a reminder that their legacy lives on, even years after their passing.
The Aids crisis had a devastating impact on the gay community, but it also gave rise to some incredible music. By re-releasing this forgotten era, Dark Entries is not only giving these artists a new lease on life but also celebrating the resilience and creativity of a community that was pushed to the brink of extinction.
As Ely said, "It's so nice to have Brandy's work out." It's a tribute not just to Dalton but to the entire underground gay music scene - a testament to the power of music to transcend pain, loss, and trauma.