Robert Plant's latest project, Saving Grace, defies conventions as it eschews the expected path taken by many rock stars of his stature. Unlike those who would opt for a nostalgia-fueled tour of their hit songs, Plant and his ensemble have instead opted for a more unconventional approach.
The result is a diverse and intriguing collection of music that combines traditional folk songs with cover tracks that showcase Plant's eclectic tastes. There are also several Led Zeppelin tracks, but these are not the familiar versions fans might be expecting. Instead, they're radically rearranged to feature unconventional instruments such as an accordion and cello.
What's most striking about Saving Grace is the way the spotlight seems to shift throughout the performance. While Plant's voice is still in remarkable form, he often cedes the stage to other band members, including multi-instrumentalist Matt Worley and vocalist Suzi Dian. This collaborative spirit results in music that feels genuinely collective, with each member contributing their unique perspective.
The sound can be both eerie and exploratory, with instruments like the mandolin adding a surprising level of texture to certain tracks. Dian's exceptional vocals are particularly noteworthy, and her presence in the spotlight is never overshadowed by Plant's. In fact, it often feels as if she's the focal point, while Plant recedes into the background.
This approach has allowed Saving Grace to tap into something truly special – music that genuinely feels like a collaborative effort, rather than simply a showcase for one star. As Plant so aptly puts it, they're "exploring the possibilities," and the results are nothing short of astonishing.
The result is a diverse and intriguing collection of music that combines traditional folk songs with cover tracks that showcase Plant's eclectic tastes. There are also several Led Zeppelin tracks, but these are not the familiar versions fans might be expecting. Instead, they're radically rearranged to feature unconventional instruments such as an accordion and cello.
What's most striking about Saving Grace is the way the spotlight seems to shift throughout the performance. While Plant's voice is still in remarkable form, he often cedes the stage to other band members, including multi-instrumentalist Matt Worley and vocalist Suzi Dian. This collaborative spirit results in music that feels genuinely collective, with each member contributing their unique perspective.
The sound can be both eerie and exploratory, with instruments like the mandolin adding a surprising level of texture to certain tracks. Dian's exceptional vocals are particularly noteworthy, and her presence in the spotlight is never overshadowed by Plant's. In fact, it often feels as if she's the focal point, while Plant recedes into the background.
This approach has allowed Saving Grace to tap into something truly special – music that genuinely feels like a collaborative effort, rather than simply a showcase for one star. As Plant so aptly puts it, they're "exploring the possibilities," and the results are nothing short of astonishing.
You know what I think is cool about this whole Saving Grace project? It's all about breaking free from expectations & being open to new experiences 
. Sometimes you gotta shake things up & try something different, just like Robert Plant did with his band. And honestly, it paid off! 
The way he lets other band members take the spotlight is all about building each other up & making music that's greater than the sum of its parts 
. It's a great reminder that we don't have to do everything on our own, and that collaboration can lead to some amazing things 
.
. I mean, who else is gonna drop a Led Zeppelin track with an accordion? The way he lets his bandmates shine in the spotlight is super refreshing, it's like they're all equals or something 
. And Suzi Dian's vocals are insane, I'm not surprised she's the focal point on some tracks 
. It's cool to see a project that doesn't just rely on nostalgia, but actually tries new things and sounds good while doing it 
. Plant's got mad skills, no need for him to be in the center all the time 
. This Saving Grace thing is like a breath of fresh air in an industry where everyone's always trying to recapture the past 
.
he's really taking risks by not playing all his famous Zeppelin songs like everyone expected. I mean, don't get me wrong, those songs are iconic, but it's awesome to hear him try out some different stuff. the accordion and cello on some of the tracks is giving me major intrigue - who knew they could add that kind of depth to rock music? 
anyway, I'm really enjoying how each member of the band gets to shine in their own way. Suzi Dian's vocals are insane, she's like a total rockstar in her own right! 
. And what's with the weird instrument choices? An accordion and cello on Led Zeppelin tracks? It just sounds like a bunch of hippies jamming together 
. This Saving Grace stuff just seems like a bunch of experimentation gone wrong 
.
. Like, Suzi Dian's vocals are poppin', and Matt Worley's multi-instrumental wizardry is the real MVP 
. I'm lovin' how this whole thing is feelin' like a collective effort, but at the same time, it feels... calculated 
. I mean, what's the master plan here?
he's not just sticking to what we know and love (which btw is still AMAZING) but he's taking risks and exploring new sounds. the accordion on the Led Zeppelin tracks is GENIUS 
she's got this presence on stage that's just captivating. i love how the spotlight shifts throughout the performance, it makes me feel like the music is alive 
matt worley is a genius too, his multi-instrumental skills are insane 
It's like he raided the world's most eclectic thrift store and said, 'This is gonna be my thing.' The fact that Suzi Dian gets more shine than him is actually kinda refreshing. Maybe this Saving Grace project will inspire a whole new generation of musicians to think outside their comfort zones... or just start wearing funny hats on stage 
, it's like she's stealing the show from under Plant's nose 
. Anyway, if you're into that sorta thing...
. Matt Worley and Suzi Dian are absolute standouts, bringing such unique perspectives to the table that make for some truly special music. The use of unconventional instruments is a stroke of genius too, adding this eerie yet exploratory texture to the sound 
.
. This collaborative approach has resulted in music that feels truly collective, rather than just one person dominating the stage. It's a bold move, but it's paying off in a big way 
.
what i love most about this project is how each band member gets to shine – it's not just plant's voice, but a whole ensemble of talented people coming together 
. I'll take the familiar, nostalgia-fueled tour any day, thanks! 
It's all about collaboration and exploration here, which is exactly what music should be about in my opinion. The result is this incredible, eclectic sound that's both eerie and exciting at the same time... I'm totally hooked! 
, it's not all about him anymore, which is refreshing 
. And I love that Suzi Dian is actually getting some serious screen time, it's about bloody time someone else got to shine for once 
I'm loving how Robert Plant is shattering expectations and giving us a chance to see his band in a whole new light. It's crazy how the spotlight shifts around – I was expecting it to be all about Plant, but Suzi Dian totally steals the show!