"Time-hopping comedy Tim Travers and the Time Traveler's Paradox asks big question: what happens when you keep jumping through time?"
Tim Travers, played by Samuel Dunning, is a genius inventor who steals nuclear materials from a terrorist group to power his time machine. With it, he sends himself back one minute into the past with a gun to kill his younger self in an attempt to investigate the infamous "time-traveler's paradox". The problem? If Tim eliminates his younger self, won't he also disappear at that moment, creating a paradox of monumental proportions? The brain-twister goes like this: if Tim can't exist in the future without having set himself up for this mission, then how can his past self survive to create more copies of himself?
The film becomes a dizzying whirlwind as Tim repeatedly jumps back and forth through time, each iteration creating new versions of himself. What starts as a straightforward comedy quickly descends into chaos, with multiple selves popping up like bubbles. The film even resorts to the most outlandish plot twist: an off-camera orgy involving multiple space-time clones.
The more it goes on, the less coherent the narrative becomes, making for a disorienting viewing experience that's not unlike Shane Carruth's mind-bending Primer. Still, when Keith David shows up as the Simulator (aka God), explaining the paradox to mortals in a hilariously exasperated tone, there's a glimmer of levity amidst the chaos.
In the end, though, Tim Travers and the Time Traveler's Paradox is an exhausting indie romp that sometimes feels more like a fever dream than a fully thought-out comedy. It's enough to make you appreciate Douglas Adams' The Hitchhiker's Guide to the Galaxy for tackling similar concepts with far greater wit and panache.
Tim Travers, played by Samuel Dunning, is a genius inventor who steals nuclear materials from a terrorist group to power his time machine. With it, he sends himself back one minute into the past with a gun to kill his younger self in an attempt to investigate the infamous "time-traveler's paradox". The problem? If Tim eliminates his younger self, won't he also disappear at that moment, creating a paradox of monumental proportions? The brain-twister goes like this: if Tim can't exist in the future without having set himself up for this mission, then how can his past self survive to create more copies of himself?
The film becomes a dizzying whirlwind as Tim repeatedly jumps back and forth through time, each iteration creating new versions of himself. What starts as a straightforward comedy quickly descends into chaos, with multiple selves popping up like bubbles. The film even resorts to the most outlandish plot twist: an off-camera orgy involving multiple space-time clones.
The more it goes on, the less coherent the narrative becomes, making for a disorienting viewing experience that's not unlike Shane Carruth's mind-bending Primer. Still, when Keith David shows up as the Simulator (aka God), explaining the paradox to mortals in a hilariously exasperated tone, there's a glimmer of levity amidst the chaos.
In the end, though, Tim Travers and the Time Traveler's Paradox is an exhausting indie romp that sometimes feels more like a fever dream than a fully thought-out comedy. It's enough to make you appreciate Douglas Adams' The Hitchhiker's Guide to the Galaxy for tackling similar concepts with far greater wit and panache.