Washington National Opera to Break Ties with Kennedy Center After 55 Years
In a shocking move, the Washington National Opera has announced that it will be parting ways with the iconic Kennedy Center after 55 years of collaboration. The decision comes as the opera seeks to distance itself from the center's increasingly contentious reputation under its new leadership.
According to an official statement, the opera has decided to terminate its affiliation agreement with the Kennedy Center due to a "financially challenging relationship." This decision marks another significant blow to the once-respected performing arts venue, which has been marred by controversy in recent months.
The opera's board and staff cited a desire to operate as an independent entity, free from what they described as a "business model" that is at odds with their own non-profit operations. While not explicitly mentioning President Trump or his rebranding of the Kennedy Center, the statement suggested that the organization sought to break ties with an administration that has been seen as hostile to artistic expression and cultural institutions.
The news comes on the heels of a wave of cancellations at the Kennedy Center, including performances by prominent artists such as Bela Fleck, Stephen Schwartz, and Lin-Manuel Miranda. These events have been sparked by protests against Trump's self-appointment as chairman of the establishment, with many artists expressing outrage over what they see as an infringement on their values.
The opera itself has vowed to continue its work and celebrate its 70th anniversary as a fully independent entity, separate from the Kennedy Center. In a statement, Chuck Redd, who led the Christmas Eve Jazz Jam since 2006, explained that he chose to cancel his concert in response to the name change at the center.
"We're just not going to be part of it," Miranda said, echoing Redd's sentiments. "This latest action by Trump means it's not the Kennedy Center as we knew it." The opera's decision to break ties with the Kennedy Center marks a significant shift for the organization, one that reflects its commitment to artistic independence and integrity in the face of increasingly contentious politics.
In a shocking move, the Washington National Opera has announced that it will be parting ways with the iconic Kennedy Center after 55 years of collaboration. The decision comes as the opera seeks to distance itself from the center's increasingly contentious reputation under its new leadership.
According to an official statement, the opera has decided to terminate its affiliation agreement with the Kennedy Center due to a "financially challenging relationship." This decision marks another significant blow to the once-respected performing arts venue, which has been marred by controversy in recent months.
The opera's board and staff cited a desire to operate as an independent entity, free from what they described as a "business model" that is at odds with their own non-profit operations. While not explicitly mentioning President Trump or his rebranding of the Kennedy Center, the statement suggested that the organization sought to break ties with an administration that has been seen as hostile to artistic expression and cultural institutions.
The news comes on the heels of a wave of cancellations at the Kennedy Center, including performances by prominent artists such as Bela Fleck, Stephen Schwartz, and Lin-Manuel Miranda. These events have been sparked by protests against Trump's self-appointment as chairman of the establishment, with many artists expressing outrage over what they see as an infringement on their values.
The opera itself has vowed to continue its work and celebrate its 70th anniversary as a fully independent entity, separate from the Kennedy Center. In a statement, Chuck Redd, who led the Christmas Eve Jazz Jam since 2006, explained that he chose to cancel his concert in response to the name change at the center.
"We're just not going to be part of it," Miranda said, echoing Redd's sentiments. "This latest action by Trump means it's not the Kennedy Center as we knew it." The opera's decision to break ties with the Kennedy Center marks a significant shift for the organization, one that reflects its commitment to artistic independence and integrity in the face of increasingly contentious politics.