In November, readers turned to works of fiction that captured the complexities of modern life, love, family, and identity. Authors Geoff Dyer, Andrew Michael Hurley, Marcia Hutchinson, and more shared their favorite books with us.
For writer Geoff Dyer, Thoreau's Journal was a standout read. The American author's work is characterized by its down-to-earth yet soaring quality, blending elements of lyricism and cantankerousness. In contrast, Xiaolou Guo's My Battle of Hastings offers an impulsive look at Britain and Brexit, infused with humor and wit.
Meanwhile, Meghan Daum's The Catastrophe Hour shone for its wit and scathing essays. To complement this title, UK-based Notting Hill Editions published a latest installment by American essayist Meghan Daum.
Sarah Guardian reader devoured Lily King's Heart the Lover novel, praising its freshness, romance, and literary depth. She also enjoyed My Last Innocent Year by Daisy Alpert Florin, which tells an affair between a final-year student and a married professor at a New England college in the late 90s.
Marcia Hutchinson found Act Normal to be a fascinating read, featuring a writer possessed by the ghosts of his past. This memoir is less chronological than traditional narratives and features a remarkable cast of characters. Marcia also highly recommended The Best of Everything by Kit de Waal and Jamaica Road by Lisa Smith, which offer stories centered on love, family, and identity.
Jim Guardian reader enjoyed The Art of Losing by Alice Zeniter, a story told with simplicity yet elegance as it uncovers the struggles and compromises made to survive in a changing world. A book that resonates with Jim's background growing up at the height of the Troubles is how to find your own place simply to be.
Andrew Michael Hurley found ideal winter evenings companions in After Midnight, a Virago anthology of Daphne du Maurier's short fiction and Bora Chung's Midnight Timetable. This novel features South Korean folklore, urban horror stories, and surrealism, making for something truly nightmarish. Another favorite by Andrew Michael Hurley is John McGahern's The Leavetaking, which offers half-remembered yet imaginative reflections on the author's life.
Finally, Sarah Hall's Helm offered a profound exploration of our relationship with the elements. Narrated by Pennine wind, this novel moves through humanity's timeline, documenting wonder, creativity, and folly in equal measure.
This month, Tim Guardian reader read three books that somehow spoke to each other: Lost Horizon by James Hilton, The Crying of Lot 49 by Thomas Pynchon, and Feeding the Machine by James Muldoon, Mark Graham, and Callum Cant. Lost Horizon is still a century old yet manages to feel surprisingly fresh with its perfectly paced novel balancing adventure and philosophy. Hilton's prose is lean but luminous. The Crying of Lot 49 offered an experience that was dizzying and paranoid with symbols and coincidences mirroring our own algorithmic age, while Feeding the Machine grounded both worlds by analyzing digital labour and AI infastructures that shape daily life.
For writer Geoff Dyer, Thoreau's Journal was a standout read. The American author's work is characterized by its down-to-earth yet soaring quality, blending elements of lyricism and cantankerousness. In contrast, Xiaolou Guo's My Battle of Hastings offers an impulsive look at Britain and Brexit, infused with humor and wit.
Meanwhile, Meghan Daum's The Catastrophe Hour shone for its wit and scathing essays. To complement this title, UK-based Notting Hill Editions published a latest installment by American essayist Meghan Daum.
Sarah Guardian reader devoured Lily King's Heart the Lover novel, praising its freshness, romance, and literary depth. She also enjoyed My Last Innocent Year by Daisy Alpert Florin, which tells an affair between a final-year student and a married professor at a New England college in the late 90s.
Marcia Hutchinson found Act Normal to be a fascinating read, featuring a writer possessed by the ghosts of his past. This memoir is less chronological than traditional narratives and features a remarkable cast of characters. Marcia also highly recommended The Best of Everything by Kit de Waal and Jamaica Road by Lisa Smith, which offer stories centered on love, family, and identity.
Jim Guardian reader enjoyed The Art of Losing by Alice Zeniter, a story told with simplicity yet elegance as it uncovers the struggles and compromises made to survive in a changing world. A book that resonates with Jim's background growing up at the height of the Troubles is how to find your own place simply to be.
Andrew Michael Hurley found ideal winter evenings companions in After Midnight, a Virago anthology of Daphne du Maurier's short fiction and Bora Chung's Midnight Timetable. This novel features South Korean folklore, urban horror stories, and surrealism, making for something truly nightmarish. Another favorite by Andrew Michael Hurley is John McGahern's The Leavetaking, which offers half-remembered yet imaginative reflections on the author's life.
Finally, Sarah Hall's Helm offered a profound exploration of our relationship with the elements. Narrated by Pennine wind, this novel moves through humanity's timeline, documenting wonder, creativity, and folly in equal measure.
This month, Tim Guardian reader read three books that somehow spoke to each other: Lost Horizon by James Hilton, The Crying of Lot 49 by Thomas Pynchon, and Feeding the Machine by James Muldoon, Mark Graham, and Callum Cant. Lost Horizon is still a century old yet manages to feel surprisingly fresh with its perfectly paced novel balancing adventure and philosophy. Hilton's prose is lean but luminous. The Crying of Lot 49 offered an experience that was dizzying and paranoid with symbols and coincidences mirroring our own algorithmic age, while Feeding the Machine grounded both worlds by analyzing digital labour and AI infastructures that shape daily life.