A Cash Advance on Your Death: The Dark Side of AIDS Profiteering
In the midst of the COVID-19 pandemic, filmmaker Matt Nadel stumbled upon an unsettling revelation about his own family's past. His father, Phil, had invested in a strange and morbid industry during the height of the HIV/AIDS epidemic: buying up life insurance policies from people on their deathbeds, known as viatical settlements. This practice was both ghoulish and liberating for those who benefited from it but left many marginalized communities reeling.
Viatical settlements emerged in the 1980s, when AIDS was ravaging communities across the globe. With no cure in sight, pharmaceutical companies were making massive profits from life insurance policies, leaving millions to die without access to the care they needed. Individuals like Scott Page and DeeDee Chamblee became intermediaries between insurance companies and those who could buy out their policies.
The industry was built on a morbid ledger: the value of a policy against the dollar amount required to purchase it outright, with the T-cell count of the policyholder serving as a proxy for life expectancy. This meant that sicker individuals were more likely to receive payouts, but at what cost? The system relied on death, and those who benefited from it often did so at the expense of those left behind.
However, with the advent of antiretroviral therapy in the late 1990s, HIV-positive people began living longer and defying predictions. This shift had a profound impact on the viatical settlement industry, as those betting on death found themselves stuck paying premiums on policies that would never pay out.
Matt Nadel's documentary, Cashing Out, sheds light on this dark side of AIDS profiteering. Through personal stories and interviews with key figures in the industry, the film humanizes the victims of this system, revealing a world where marginalized communities were left to fend for themselves.
The consequences of this practice are stark. DeeDee Chamblee remembers suffering from only three T-cells, fantasizing about getting a payout to live out her final days in peace. She was not afforded even basic dignity when death loomed on the horizon.
As Nadel reflects on his own family's connection to this industry, he realizes that the story of Cashing Out is both historically specific and evergreen. It serves as an indictment of America's tenuous social safety net, highlighting the need for collective action in the face of uncertainty.
Cashing Out is a testament to the human cost of profiteering on suffering. As Nadel puts it, "When the government refuses to fulfill its role in taking care of us, we have to come together and find creative ways to take care of each other." The film encourages viewers to find their own strange bedfellows in the fight for survival, reminding us that illness knows no bounds and demands our solidarity.
In the midst of the COVID-19 pandemic, filmmaker Matt Nadel stumbled upon an unsettling revelation about his own family's past. His father, Phil, had invested in a strange and morbid industry during the height of the HIV/AIDS epidemic: buying up life insurance policies from people on their deathbeds, known as viatical settlements. This practice was both ghoulish and liberating for those who benefited from it but left many marginalized communities reeling.
Viatical settlements emerged in the 1980s, when AIDS was ravaging communities across the globe. With no cure in sight, pharmaceutical companies were making massive profits from life insurance policies, leaving millions to die without access to the care they needed. Individuals like Scott Page and DeeDee Chamblee became intermediaries between insurance companies and those who could buy out their policies.
The industry was built on a morbid ledger: the value of a policy against the dollar amount required to purchase it outright, with the T-cell count of the policyholder serving as a proxy for life expectancy. This meant that sicker individuals were more likely to receive payouts, but at what cost? The system relied on death, and those who benefited from it often did so at the expense of those left behind.
However, with the advent of antiretroviral therapy in the late 1990s, HIV-positive people began living longer and defying predictions. This shift had a profound impact on the viatical settlement industry, as those betting on death found themselves stuck paying premiums on policies that would never pay out.
Matt Nadel's documentary, Cashing Out, sheds light on this dark side of AIDS profiteering. Through personal stories and interviews with key figures in the industry, the film humanizes the victims of this system, revealing a world where marginalized communities were left to fend for themselves.
The consequences of this practice are stark. DeeDee Chamblee remembers suffering from only three T-cells, fantasizing about getting a payout to live out her final days in peace. She was not afforded even basic dignity when death loomed on the horizon.
As Nadel reflects on his own family's connection to this industry, he realizes that the story of Cashing Out is both historically specific and evergreen. It serves as an indictment of America's tenuous social safety net, highlighting the need for collective action in the face of uncertainty.
Cashing Out is a testament to the human cost of profiteering on suffering. As Nadel puts it, "When the government refuses to fulfill its role in taking care of us, we have to come together and find creative ways to take care of each other." The film encourages viewers to find their own strange bedfellows in the fight for survival, reminding us that illness knows no bounds and demands our solidarity.