Dinosaur Fossil Fetches Record-Breaking $5.4 Million at Phillips Auction
A 66-million-year-old juvenile Triceratops skeleton, which had never been sold before at auction, has become one of the most talked-about sales in recent history. The fossil, CERA, went under the hammer last night at Phillips's New York Evening Sale and fetched an astonishing $5,377,000, far exceeding its estimated value of $2.5 million to $3.5 million.
The sale marks a significant shift in the art market, where fossils are increasingly being treated as investments and collectors are drawn to their emotional resonance and symbolic power. Phillips has been at the forefront of this trend, and last night's sale was no exception.
"We're seeing a desire for works that spark curiosity and transcend traditional categories," said Miety Heiden, chairman for private sales at Phillips. "This result underscores the appetite for rare and extraordinary pieces that challenge convention and expand the boundaries of what collecting can be."
The sale also saw the return of Francis Bacon's highly anticipated "Study for Head of Isabel Rawsthorne and George Dyer" (1967), which sold for $16 million, neatly within its estimated value. The painting is a masterpiece of modern art and will undoubtedly find a new home with a private collector.
Other notable sales included Joan Mitchell's monumental "Untitled" (1957-1958), Jackson Pollock's 1947 work on paper, and Jean-Michel Basquiat's "Exercise" (1984). Camille Pissarro's late Impressionist piece also performed well, selling for $1.9 million above its high estimate.
The evening sale was a strong success, with 94% of works sold by lot and 97% sold by value. Phillips's new priority bidding system played a significant role in securing early commitments and interest on most lots, contributing to the robust turnout.
According to Robert Manley, chairman for modern and contemporary art at Phillips, the enthusiasm around the sale was evident, with 27 times more early selling bids than last November. The results confirmed not only the enduring draw of blue-chip artists but also the market's resilience and ongoing global demand.
As collectors continue to drive purchasing decisions across collectibles markets, dinosaurs are undoubtedly riding the wave. With their timeless appeal and symbolic power, it's no wonder that fossils like CERA are becoming increasingly popular among art enthusiasts and investors alike.
A 66-million-year-old juvenile Triceratops skeleton, which had never been sold before at auction, has become one of the most talked-about sales in recent history. The fossil, CERA, went under the hammer last night at Phillips's New York Evening Sale and fetched an astonishing $5,377,000, far exceeding its estimated value of $2.5 million to $3.5 million.
The sale marks a significant shift in the art market, where fossils are increasingly being treated as investments and collectors are drawn to their emotional resonance and symbolic power. Phillips has been at the forefront of this trend, and last night's sale was no exception.
"We're seeing a desire for works that spark curiosity and transcend traditional categories," said Miety Heiden, chairman for private sales at Phillips. "This result underscores the appetite for rare and extraordinary pieces that challenge convention and expand the boundaries of what collecting can be."
The sale also saw the return of Francis Bacon's highly anticipated "Study for Head of Isabel Rawsthorne and George Dyer" (1967), which sold for $16 million, neatly within its estimated value. The painting is a masterpiece of modern art and will undoubtedly find a new home with a private collector.
Other notable sales included Joan Mitchell's monumental "Untitled" (1957-1958), Jackson Pollock's 1947 work on paper, and Jean-Michel Basquiat's "Exercise" (1984). Camille Pissarro's late Impressionist piece also performed well, selling for $1.9 million above its high estimate.
The evening sale was a strong success, with 94% of works sold by lot and 97% sold by value. Phillips's new priority bidding system played a significant role in securing early commitments and interest on most lots, contributing to the robust turnout.
According to Robert Manley, chairman for modern and contemporary art at Phillips, the enthusiasm around the sale was evident, with 27 times more early selling bids than last November. The results confirmed not only the enduring draw of blue-chip artists but also the market's resilience and ongoing global demand.
As collectors continue to drive purchasing decisions across collectibles markets, dinosaurs are undoubtedly riding the wave. With their timeless appeal and symbolic power, it's no wonder that fossils like CERA are becoming increasingly popular among art enthusiasts and investors alike.