In a bold move, Elizabeth McCracken subverts the conventional wisdom on writing in her new book, A Long Game. The author of novels and memoirs takes aim at the craft books that have dominated the writing scene for decades, dismissing their chipper tone and encouraging advice as "exhausting" and "cheerleaderish."
McCracken, a seasoned writer and former tutor at the Iowa Writers' Workshop, rejects the notion that there's a one-size-fits-all approach to writing. Instead, she advocates for a more nuanced, personal approach that acknowledges the messy, often painful process of creation. Her own writing style is characterized by a wicked sense of humor and a willingness to push boundaries.
The 30-year-old craft book landscape has been marked by the likes of Malcolm Bradbury, Ursula K Le Guin, and Robert McKee, all of whom have contributed to the prevailing wisdom on storytelling techniques. However, McCracken is not interested in perpetuating this system of thought. Her writing is a refreshing antidote to the "Show, don't tell" and "Write what you know" clichés that have become ubiquitous in writing workshops.
In A Long Game, McCracken tackles these tired tropes head-on, offering a more irreverent take on the writing process. She advocates for embracing chaos and uncertainty, rather than trying to impose order or structure on one's work. This approach may be jarring for writers who are accustomed to following rules and guidelines, but it could also be liberating.
One of the most striking aspects of McCracken's book is its unapologetic honesty about the writing process. She writes with a sense of self-loathing, admitting that her own productivity relies on harnessing her inner demons rather than relying on some foolproof system for getting work done. This vulnerability could be seen as a refreshing change from the usual motivational fare that dominates the writing scene.
Overall, A Long Game is a bold and unapologetic take on the writing process. McCracken's unconventional approach may not be for everyone, but it has the potential to inspire writers who are tired of following the same old advice.
McCracken, a seasoned writer and former tutor at the Iowa Writers' Workshop, rejects the notion that there's a one-size-fits-all approach to writing. Instead, she advocates for a more nuanced, personal approach that acknowledges the messy, often painful process of creation. Her own writing style is characterized by a wicked sense of humor and a willingness to push boundaries.
The 30-year-old craft book landscape has been marked by the likes of Malcolm Bradbury, Ursula K Le Guin, and Robert McKee, all of whom have contributed to the prevailing wisdom on storytelling techniques. However, McCracken is not interested in perpetuating this system of thought. Her writing is a refreshing antidote to the "Show, don't tell" and "Write what you know" clichés that have become ubiquitous in writing workshops.
In A Long Game, McCracken tackles these tired tropes head-on, offering a more irreverent take on the writing process. She advocates for embracing chaos and uncertainty, rather than trying to impose order or structure on one's work. This approach may be jarring for writers who are accustomed to following rules and guidelines, but it could also be liberating.
One of the most striking aspects of McCracken's book is its unapologetic honesty about the writing process. She writes with a sense of self-loathing, admitting that her own productivity relies on harnessing her inner demons rather than relying on some foolproof system for getting work done. This vulnerability could be seen as a refreshing change from the usual motivational fare that dominates the writing scene.
Overall, A Long Game is a bold and unapologetic take on the writing process. McCracken's unconventional approach may not be for everyone, but it has the potential to inspire writers who are tired of following the same old advice.