Fraser Boyle's rags-to-riches panto, Aladdie, brings a fresh spin to the classic tale with its unique blend of tradition and originality. Set in Ancient Old New Cumnock, this high-energy production takes audiences on a wild ride filled with slapstick humor, witty one-liners, and heartfelt moments.
At its core, the show is about community engagement, as actors outnumber special effects, bringing an authentic feel to the fantastical world of Aladdin. However, it's not all fairy dust and magic – the baddie's reckless use of his three wishes makes for a hilarious and cringe-worthy spectacle.
Gavin Jon Wright shines as Abanazar, bringing boisterous energy to every performance. The actor effortlessly wins over the audience with their charm, making even the most over-the-top scenes enjoyable. Wright's portrayal is also commendable in showcasing the baddie's lack of self-awareness, making it hard not to love him despite his nefarious intentions.
The set design, courtesy of Tom Cooper, is a delightful mix of old and new, with painted backdrops and an eclectic score that includes everything from 1970s disco to Tom Lehrer's iconic "Poisoning Pigeons in the Park." The musical numbers are catchy and well-executed, making it easy for audiences to get caught up in the infectious energy.
However, what truly sets Aladdie apart is its thought-provoking themes. Alassie (played by Ciara Flynn) serves as a brilliant foil to the titular character, offering a refreshingly different perspective on wealth and privilege. Flynn's performance is a masterclass in comedic timing and expression, perfectly capturing the essence of her character's wit and determination.
Throughout the show, Boyle's script weaves together humor, heart, and social commentary with ease, making Aladdie a true panto for all ages. With its talented cast, clever writing, and engaging production design, this rags-to-riches tale is sure to leave audiences grinning from ear to ear – even if they're rolling their eyes at the absurdity of it all.
At its core, the show is about community engagement, as actors outnumber special effects, bringing an authentic feel to the fantastical world of Aladdin. However, it's not all fairy dust and magic – the baddie's reckless use of his three wishes makes for a hilarious and cringe-worthy spectacle.
Gavin Jon Wright shines as Abanazar, bringing boisterous energy to every performance. The actor effortlessly wins over the audience with their charm, making even the most over-the-top scenes enjoyable. Wright's portrayal is also commendable in showcasing the baddie's lack of self-awareness, making it hard not to love him despite his nefarious intentions.
The set design, courtesy of Tom Cooper, is a delightful mix of old and new, with painted backdrops and an eclectic score that includes everything from 1970s disco to Tom Lehrer's iconic "Poisoning Pigeons in the Park." The musical numbers are catchy and well-executed, making it easy for audiences to get caught up in the infectious energy.
However, what truly sets Aladdie apart is its thought-provoking themes. Alassie (played by Ciara Flynn) serves as a brilliant foil to the titular character, offering a refreshingly different perspective on wealth and privilege. Flynn's performance is a masterclass in comedic timing and expression, perfectly capturing the essence of her character's wit and determination.
Throughout the show, Boyle's script weaves together humor, heart, and social commentary with ease, making Aladdie a true panto for all ages. With its talented cast, clever writing, and engaging production design, this rags-to-riches tale is sure to leave audiences grinning from ear to ear – even if they're rolling their eyes at the absurdity of it all.