Irish Women in Crime: A Dark Chapter in History To Be Brought to Life on Screen
A project initially conceived as a niche academic exercise has blossomed into a hit podcast and now, a Hollywood film. Two history professors' trawl of dusty archives uncovered a forgotten world of female Irish emigrants who ended up on the wrong side of the law in 19th-century America.
Margot Robbie's production company has announced plans to adapt their book, Bad Bridget: Crime, Mayhem and the Lives of Irish Emigrant Women, into a feature film. The movie will be directed by Rich Peppiatt, who previously made the semi-autobiographical film Kneecap. Daisy Edgar-Jones and Emilia Jones will star as sisters who flee poverty and abuse in Ireland to enter a shadow world of sex workers, thieves, and killers.
The filmmakers' decision to adapt this dark chapter in history comes after their book challenged conventional narratives about female Irish emigrants being domestic servants or respectable wives and mothers. The research revealed that Irish women made up 86% of the female prison population in New York, with many facing harsh sentences for crimes such as theft and prostitution.
The stories of these women, known as "Bad Bridgets," are just a few examples of the many individual tales that have been uncovered by historians Elaine Farrell and Leanne McCormick. From Ellen Price's notorious singing of "Rocky Road to Dublin" in court to Margaret Brown's daring escape attempt from Chicago prison, these stories offer a glimpse into the lives of women who defied societal expectations and fought for survival.
While the filmmakers will be taking creative liberties with their adaptation, Farrell and McCormick are excited to see how the film will bring this often-overlooked chapter in history to life. They have entrusted Peppiatt's expertise and vision, hoping that the film will showcase the strength and defiance of these women. Despite being eager to see the finished product, they acknowledge that their day jobs as historians and researchers won't change anytime soon.
As one can imagine, Farrell joked about dressing up for the red carpet β a concern shared by many academics-turned-podcasters turned filmmakers. However, for now, they'll continue researching and teaching while eagerly anticipating the film's release and its impact on raising awareness about this lesser-known aspect of Irish-American history.
A project initially conceived as a niche academic exercise has blossomed into a hit podcast and now, a Hollywood film. Two history professors' trawl of dusty archives uncovered a forgotten world of female Irish emigrants who ended up on the wrong side of the law in 19th-century America.
Margot Robbie's production company has announced plans to adapt their book, Bad Bridget: Crime, Mayhem and the Lives of Irish Emigrant Women, into a feature film. The movie will be directed by Rich Peppiatt, who previously made the semi-autobiographical film Kneecap. Daisy Edgar-Jones and Emilia Jones will star as sisters who flee poverty and abuse in Ireland to enter a shadow world of sex workers, thieves, and killers.
The filmmakers' decision to adapt this dark chapter in history comes after their book challenged conventional narratives about female Irish emigrants being domestic servants or respectable wives and mothers. The research revealed that Irish women made up 86% of the female prison population in New York, with many facing harsh sentences for crimes such as theft and prostitution.
The stories of these women, known as "Bad Bridgets," are just a few examples of the many individual tales that have been uncovered by historians Elaine Farrell and Leanne McCormick. From Ellen Price's notorious singing of "Rocky Road to Dublin" in court to Margaret Brown's daring escape attempt from Chicago prison, these stories offer a glimpse into the lives of women who defied societal expectations and fought for survival.
While the filmmakers will be taking creative liberties with their adaptation, Farrell and McCormick are excited to see how the film will bring this often-overlooked chapter in history to life. They have entrusted Peppiatt's expertise and vision, hoping that the film will showcase the strength and defiance of these women. Despite being eager to see the finished product, they acknowledge that their day jobs as historians and researchers won't change anytime soon.
As one can imagine, Farrell joked about dressing up for the red carpet β a concern shared by many academics-turned-podcasters turned filmmakers. However, for now, they'll continue researching and teaching while eagerly anticipating the film's release and its impact on raising awareness about this lesser-known aspect of Irish-American history.