Bad Bunny Brings Puerto Rican Culture to Chicago Public Library Ahead of Super Bowl Halftime Show
To coincide with the upcoming Super Bowl halftime show, the Chicago Public Library will host a special cultural program that delves into Puerto Rican history and its relevance today. This year's program, "Puerto Rico x Bad Bunny: Beats & History," marks a significant collaboration between the library and local authorities, featuring discussions on music, resistance, and social justice movements in Puerto Rico.
More than 300 people have attended virtual and in-person events for this program, with attendees tuning in from as far away as New Jersey and Florida. The initiative, led by Mariella Colón, aims to raise awareness about the complex history of Puerto Rico's relationship with the US, including its status as a colony in the 21st century.
The event is closely tied to Bad Bunny's Grammy-winning album "DeBÍ TiRAR MáS FOToS," which has sparked conversations about American culture and its broader implications. The program also explores the collaboration between Puerto Rican artist Jorell Meléndez-Badillo, a University of Wisconsin-Madison professor who worked closely with Bad Bunny to create text-based music videos.
Colón stated that she aimed to make Puerto Rican history accessible to Chicagoans from diverse backgrounds by leveraging music as a storytelling tool. Her presentation spans the period from 1898 when the US took control of Puerto Rico, emphasizing key moments in the archipelago's struggle for independence and self-determination.
Bad Bunny has long used his platform to advocate for immigrant rights and challenge xenophobic rhetoric. His recent Grammy win marked a historic milestone as the first Spanish-language record to take home Album of the Year honors.
While Bad Bunny's Super Bowl performance will undoubtedly be a spectacle, Meléndez-Badillo highlighted its undercurrents as deeply political statements about identity, culture, and power dynamics in America. The artist's decision to skip US cities on his tour and focus instead on Puerto Rico has been seen as a bold move to promote local businesses and tourism.
The Chicago Public Library program is an innovative attempt to bridge cultural divides by using music as a vehicle for education and awareness-raising about complex historical issues.
To coincide with the upcoming Super Bowl halftime show, the Chicago Public Library will host a special cultural program that delves into Puerto Rican history and its relevance today. This year's program, "Puerto Rico x Bad Bunny: Beats & History," marks a significant collaboration between the library and local authorities, featuring discussions on music, resistance, and social justice movements in Puerto Rico.
More than 300 people have attended virtual and in-person events for this program, with attendees tuning in from as far away as New Jersey and Florida. The initiative, led by Mariella Colón, aims to raise awareness about the complex history of Puerto Rico's relationship with the US, including its status as a colony in the 21st century.
The event is closely tied to Bad Bunny's Grammy-winning album "DeBÍ TiRAR MáS FOToS," which has sparked conversations about American culture and its broader implications. The program also explores the collaboration between Puerto Rican artist Jorell Meléndez-Badillo, a University of Wisconsin-Madison professor who worked closely with Bad Bunny to create text-based music videos.
Colón stated that she aimed to make Puerto Rican history accessible to Chicagoans from diverse backgrounds by leveraging music as a storytelling tool. Her presentation spans the period from 1898 when the US took control of Puerto Rico, emphasizing key moments in the archipelago's struggle for independence and self-determination.
Bad Bunny has long used his platform to advocate for immigrant rights and challenge xenophobic rhetoric. His recent Grammy win marked a historic milestone as the first Spanish-language record to take home Album of the Year honors.
While Bad Bunny's Super Bowl performance will undoubtedly be a spectacle, Meléndez-Badillo highlighted its undercurrents as deeply political statements about identity, culture, and power dynamics in America. The artist's decision to skip US cities on his tour and focus instead on Puerto Rico has been seen as a bold move to promote local businesses and tourism.
The Chicago Public Library program is an innovative attempt to bridge cultural divides by using music as a vehicle for education and awareness-raising about complex historical issues.