Bad Omens' latest UK tour is an unapologetic showcase of their anthemic songwriting and big sound, perfect for arena environments. The US metalcore band has made significant strides since the release of their third album "The Death of Peace of Mind" in 2022, earning mainstream success with its hooky pop-inspired writing and complex storytelling.
The band's fluid approach to genre, incorporating elements of industrial, electronica, and drum'n'bass, is a key factor in their appeal. Lead vocalist Noah Sebastian's adaptable vocals are particularly noteworthy, effortlessly switching between screams, whispers, and even mimicking the style of metal princess Poppy on their collaborative single "VAN". The band's willingness to lean into zeitgeisty pop sounds has helped them connect with a broader audience.
However, despite their polished performances, there is a noticeable lack of chemistry on stage. Bad Omens appear more like consummate professionals playing a faithful reproduction of their existing material rather than a cohesive group. The result can be somewhat jarring, with the band's nerves and distance from each other evident in Sebastian's hesitant interactions with the audience.
The setlist boasts a diverse range of tracks, including the atmospheric opener "Specter", the gothic "Dying to Love", and the perky "Nowhere to Go". Drummer Nick Folio is particularly deserving of praise for balancing the band's brutal riffs with expansive resonance. Nevertheless, it's clear that Bad Omens still have some growing pains to overcome before they can truly feel like a cohesive unit on stage.
In an arena setting, their big sound and anthemic songwriting are undoubtedly well-suited. However, despite their impressive performances, there is still a sense of distance between the band members, which detracts from the overall experience. It remains to be seen if Bad Omens can overcome this hurdle and develop the chemistry that will take them to the next level as a live act.
The band's fluid approach to genre, incorporating elements of industrial, electronica, and drum'n'bass, is a key factor in their appeal. Lead vocalist Noah Sebastian's adaptable vocals are particularly noteworthy, effortlessly switching between screams, whispers, and even mimicking the style of metal princess Poppy on their collaborative single "VAN". The band's willingness to lean into zeitgeisty pop sounds has helped them connect with a broader audience.
However, despite their polished performances, there is a noticeable lack of chemistry on stage. Bad Omens appear more like consummate professionals playing a faithful reproduction of their existing material rather than a cohesive group. The result can be somewhat jarring, with the band's nerves and distance from each other evident in Sebastian's hesitant interactions with the audience.
The setlist boasts a diverse range of tracks, including the atmospheric opener "Specter", the gothic "Dying to Love", and the perky "Nowhere to Go". Drummer Nick Folio is particularly deserving of praise for balancing the band's brutal riffs with expansive resonance. Nevertheless, it's clear that Bad Omens still have some growing pains to overcome before they can truly feel like a cohesive unit on stage.
In an arena setting, their big sound and anthemic songwriting are undoubtedly well-suited. However, despite their impressive performances, there is still a sense of distance between the band members, which detracts from the overall experience. It remains to be seen if Bad Omens can overcome this hurdle and develop the chemistry that will take them to the next level as a live act.