New Musical Fails to Jazz Up Zelda Fitzgerald's Story, Leaving Audiences Underwhelmed
A new stage production aimed at reviving the complex story of Zelda Fitzgerald has rolled into town with mixed results. Beautiful Little Fool, featuring music and lyrics by actress Hannah Corneau, takes a familiar path that fails to delve deeper into the tumultuous marriage between author F Scott and his wife.
The show's frame, centered around their daughter Scottie as she explores her parents' archive, showcases Lauren Ward's impressive performance in capturing interactions with her parents at different ages. However, the narrative's lack of exploration regarding Scottie's presence in the first place leaves some questions unanswered.
Corneau's largely poppy score brings forth strong vocal performances from David Hunter and Amy Parker, particularly during emotional scenes like Zelda's emotional outbursts and their tender romance. The production's set design by Shankho Chaudhuri is a delight for book lovers, with bookshelves and stacks that evoke the couple's literary prowess.
Yet, the show's melodies fail to linger, making the numerous ballads feel repetitive. Moreover, it neglects to capture the darkly troubled essence of the Fitzgeralds' relationship beyond a single confrontation on the Riviera. The portrayal of Zelda's mental health struggles is hastily glossed over for the sake of a dramatic conclusion.
Despite its shortcomings, Beautiful Little Fool does have an advantage – future productions are already in the works. The Fitzgeralds of St Paul is set to debut in New York this spring, offering another chance for audiences to experience the captivating story of F Scott and Zelda Fitzgerald on stage.
Ultimately, the show feels like a fleeting moment, leaving behind more questions than answers about one of literature's most fascinating couples.
A new stage production aimed at reviving the complex story of Zelda Fitzgerald has rolled into town with mixed results. Beautiful Little Fool, featuring music and lyrics by actress Hannah Corneau, takes a familiar path that fails to delve deeper into the tumultuous marriage between author F Scott and his wife.
The show's frame, centered around their daughter Scottie as she explores her parents' archive, showcases Lauren Ward's impressive performance in capturing interactions with her parents at different ages. However, the narrative's lack of exploration regarding Scottie's presence in the first place leaves some questions unanswered.
Corneau's largely poppy score brings forth strong vocal performances from David Hunter and Amy Parker, particularly during emotional scenes like Zelda's emotional outbursts and their tender romance. The production's set design by Shankho Chaudhuri is a delight for book lovers, with bookshelves and stacks that evoke the couple's literary prowess.
Yet, the show's melodies fail to linger, making the numerous ballads feel repetitive. Moreover, it neglects to capture the darkly troubled essence of the Fitzgeralds' relationship beyond a single confrontation on the Riviera. The portrayal of Zelda's mental health struggles is hastily glossed over for the sake of a dramatic conclusion.
Despite its shortcomings, Beautiful Little Fool does have an advantage – future productions are already in the works. The Fitzgeralds of St Paul is set to debut in New York this spring, offering another chance for audiences to experience the captivating story of F Scott and Zelda Fitzgerald on stage.
Ultimately, the show feels like a fleeting moment, leaving behind more questions than answers about one of literature's most fascinating couples.