In 1965, Chilean photographer Camilo José Vergara arrived in New York on a banana boat, seeking refuge from his homeland's tumultuous politics. With a teacher-photographer as mentor, Vergara began to explore his artistic voice, not just through words but also behind the lens.
As he navigated the city, Vergara noticed stark contrasts - divisions between the affluent students at Columbia University and the struggling residents of the Bronx. The 1960s and 70s saw deindustrialization taking hold, with shuttered factories, store closures, and a general sense of decay that resonated deeply with Vergara's own experiences.
Walking through the city was never without risk; heroin addiction and desperation were rampant, yet for Vergara, this danger added to the excitement. He wanted to capture the raw urban reality, from the skyscrapers to the small details, because it seemed like these places were disappearing forever.
That's when he came across a poignant scene - children and their dogs standing before crumbling housing projects in the Bronx. The stark contrast between the desolate landscape and the vibrant group stood out; Vergara aimed to capture this urban reality in all its complexity. His photographs from that era are more than just images; they're a testament to a city in flux, grappling with issues of segregation, poverty, and decay.
Vergara's work humanizes the struggles of an urban landscape often overlooked in favor of graffiti-painted subways or fleeting glimpses of street life. His photographs were not about capturing specific moments but rather conveying the whole essence of New York during that tumultuous period.
Today, Vergara's body of work is a powerful reminder of the power of photography to convey complex social issues and capture the human spirit in all its beauty and complexity.
As he navigated the city, Vergara noticed stark contrasts - divisions between the affluent students at Columbia University and the struggling residents of the Bronx. The 1960s and 70s saw deindustrialization taking hold, with shuttered factories, store closures, and a general sense of decay that resonated deeply with Vergara's own experiences.
Walking through the city was never without risk; heroin addiction and desperation were rampant, yet for Vergara, this danger added to the excitement. He wanted to capture the raw urban reality, from the skyscrapers to the small details, because it seemed like these places were disappearing forever.
That's when he came across a poignant scene - children and their dogs standing before crumbling housing projects in the Bronx. The stark contrast between the desolate landscape and the vibrant group stood out; Vergara aimed to capture this urban reality in all its complexity. His photographs from that era are more than just images; they're a testament to a city in flux, grappling with issues of segregation, poverty, and decay.
Vergara's work humanizes the struggles of an urban landscape often overlooked in favor of graffiti-painted subways or fleeting glimpses of street life. His photographs were not about capturing specific moments but rather conveying the whole essence of New York during that tumultuous period.
Today, Vergara's body of work is a powerful reminder of the power of photography to convey complex social issues and capture the human spirit in all its beauty and complexity.