The enigmatic Ted Milton, a post-punk puppeteer, saxophonist, and poet, has been making waves in British culture for decades. At 82, he's still going strong, with his band Blurt and new album the Odes, but it's his family that's now bringing him back down to earth.
Milton's unconventional upbringing, moving to west Africa at 11 and attending a boarding school, left an indelible mark on his rebellious nature. As a teenager, he was more interested in disrupting classes than focusing on his studies. This desire for chaos eventually led him to pursue art studies in Cambridge and the city's jazz scene.
It was during this time that Milton's fascination with puppets began. He started out by performing at puppet shows and glove shows, eventually creating his own unique style of performance animation. His work caught the attention of Tony Wilson, who featured him on his TV show So It Goes, introducing him to Graham Lewis and Colin Newman of post-punk band Wire.
Milton's music with Blurt has been described as "raucous, jazzy blowouts" that would often go over audiences' heads at first but eventually win them over. His partnership with Eric Clapton was particularly significant, with the musician recalling how Milton could make music come alive through his performances.
However, it's Milton's family that's now bringing him back down to earth. He has been married three times and had five children, including a recent birth at the ripe age of nearly 70. His son George is behind a new film, The Last Puppet Show, which explores Ted Milton's life and sometimes fraught relationships through his puppets.
When asked about what made his performances so captivating, Milton attributes it to charisma, which he believes is a form of psychosis. "Charisma is a form of psychosis," he says with a hint of self-awareness, drawing from Alice Miller's book The Drama of the Gifted Child, which suggests that children often have to suppress their authentic selves.
Despite his wild past, Milton has mellowed out somewhat with age. He admits that some people found his performances intimidating or overwhelming at times, recalling one incident where someone even beat him up backstage.
Now 82 and still touring, Milton acknowledges the need for compromise in his later years. "The last couple of shows I've had to do sitting down," he says with a chuckle, "but actually it kind of opens up a different dynamic."
Milton's unconventional upbringing, moving to west Africa at 11 and attending a boarding school, left an indelible mark on his rebellious nature. As a teenager, he was more interested in disrupting classes than focusing on his studies. This desire for chaos eventually led him to pursue art studies in Cambridge and the city's jazz scene.
It was during this time that Milton's fascination with puppets began. He started out by performing at puppet shows and glove shows, eventually creating his own unique style of performance animation. His work caught the attention of Tony Wilson, who featured him on his TV show So It Goes, introducing him to Graham Lewis and Colin Newman of post-punk band Wire.
Milton's music with Blurt has been described as "raucous, jazzy blowouts" that would often go over audiences' heads at first but eventually win them over. His partnership with Eric Clapton was particularly significant, with the musician recalling how Milton could make music come alive through his performances.
However, it's Milton's family that's now bringing him back down to earth. He has been married three times and had five children, including a recent birth at the ripe age of nearly 70. His son George is behind a new film, The Last Puppet Show, which explores Ted Milton's life and sometimes fraught relationships through his puppets.
When asked about what made his performances so captivating, Milton attributes it to charisma, which he believes is a form of psychosis. "Charisma is a form of psychosis," he says with a hint of self-awareness, drawing from Alice Miller's book The Drama of the Gifted Child, which suggests that children often have to suppress their authentic selves.
Despite his wild past, Milton has mellowed out somewhat with age. He admits that some people found his performances intimidating or overwhelming at times, recalling one incident where someone even beat him up backstage.
Now 82 and still touring, Milton acknowledges the need for compromise in his later years. "The last couple of shows I've had to do sitting down," he says with a chuckle, "but actually it kind of opens up a different dynamic."