The curtain falls on 'Beginning', 'Middle' and now 'End', the trilogy of plays by David Eldridge that explores different couples at successive stages of their relationships. As it concludes, the play poignantly overlaps with its predecessors, drawing parallels between them as much as familiarity with one's own relationships.
For those who have seen the previous two plays, seeing 'End' is a more emotional experience, thanks to the reunion of Clive Owen and Saskia Reeves, the same actors from Stephen Poliakoff's 1991 film 'Close My Eyes'. This classic tale of an incestuous affair between Natalie (Reeves) and her younger brother Richard (Owen) still lingers, complementing Eldridge's play with its own brand of elegiac tone.
The original film was inspired by Poliakoff's 1975 play 'Hitting Town', which caused a tabloid frenzy due to its explicit depiction of the taboo relationship. The story unfolds in the midst of London's Docklands regeneration and Thatcherite individualism, capturing a society in flux and disruption.
Eldridge sets Alfie and Julie's personal turmoil against one of the most divisive periods in recent British history – the Brexit vote of 2016. But this is no mere backdrop; it serves to highlight their own struggle with Alfie's terminal illness. As he moves from his comfortable, successful life as a DJ to helplessness due to cancer, their connection takes centre stage.
The memory of 'Close My Eyes' also brings back the intense sex scenes between Natalie and Richard – though here they are depicted in subtle detail. There's a poignant contrast between the energy of those early encounters and Alfie's now feeble attempts at intimacy with Julie.
Owen and Reeves bring their screen experience to this play, reflecting on their characters' decades-long history as well as an undeniable sense of distancing due to illness. Early moments evoke nostalgia for Owen's past roles – including Chancer in a memorable TV show – underscoring the passage of time and how Alfie has changed.
Just like Poliakoff's 'Close My Eyes', Eldridge's 'End' explores paradoxes, juxtaposing the present with memories of the past. Here, it's about not just facing an uncertain future but also navigating a lifetime of unfulfilled desires – Natalie's failed writing ambitions being fulfilled by Julie, who plots out their life without Alfie.
For its powerful exploration of human relationships and its nuanced portrayal of love and loss, 'End' at the National Theatre until January 17th is not to be missed.
For those who have seen the previous two plays, seeing 'End' is a more emotional experience, thanks to the reunion of Clive Owen and Saskia Reeves, the same actors from Stephen Poliakoff's 1991 film 'Close My Eyes'. This classic tale of an incestuous affair between Natalie (Reeves) and her younger brother Richard (Owen) still lingers, complementing Eldridge's play with its own brand of elegiac tone.
The original film was inspired by Poliakoff's 1975 play 'Hitting Town', which caused a tabloid frenzy due to its explicit depiction of the taboo relationship. The story unfolds in the midst of London's Docklands regeneration and Thatcherite individualism, capturing a society in flux and disruption.
Eldridge sets Alfie and Julie's personal turmoil against one of the most divisive periods in recent British history – the Brexit vote of 2016. But this is no mere backdrop; it serves to highlight their own struggle with Alfie's terminal illness. As he moves from his comfortable, successful life as a DJ to helplessness due to cancer, their connection takes centre stage.
The memory of 'Close My Eyes' also brings back the intense sex scenes between Natalie and Richard – though here they are depicted in subtle detail. There's a poignant contrast between the energy of those early encounters and Alfie's now feeble attempts at intimacy with Julie.
Owen and Reeves bring their screen experience to this play, reflecting on their characters' decades-long history as well as an undeniable sense of distancing due to illness. Early moments evoke nostalgia for Owen's past roles – including Chancer in a memorable TV show – underscoring the passage of time and how Alfie has changed.
Just like Poliakoff's 'Close My Eyes', Eldridge's 'End' explores paradoxes, juxtaposing the present with memories of the past. Here, it's about not just facing an uncertain future but also navigating a lifetime of unfulfilled desires – Natalie's failed writing ambitions being fulfilled by Julie, who plots out their life without Alfie.
For its powerful exploration of human relationships and its nuanced portrayal of love and loss, 'End' at the National Theatre until January 17th is not to be missed.