Elmet review – the brutal tragedy of a feral family living on the edge of society

The brutal tragedy of Elmet, a feral family living on the edge of society, has been brought to life on stage by writer/director Javaad Alipoor's adaptation of Fiona Mozley's novel. The production takes a bold approach, eschewing traditional acting methods in favor of narration and reported speech, allowing the audience to fill in the blanks with their own imagination.

LJ Parkinson shines as Danny, one half of the feral family at the center of the story, but he is often more of a narrator than an actor, drawing the viewer into the world of Elmet. The production's focus on storytelling over drama serves to emphasize the themes of class, exploitation, and misogyny that drive Mozley's novel.

The narrative is framed as a tragedy from its inception, with the knowledge that Daddy's fate will be sealed creating a sense of inevitability and tragic shape. However, it is Cathy's story that gains in polemical force, played by Jennifer Jackson with a stony-faced intensity. Her character steps out of the novel to claim kinship with the teenage Charlotte Church, a fellow victim of sexist culture, and her struggle against the predatory forces of society is both powerful and heartbreaking.

The live score by Adrian McNally and The Unthanks perfectly evokes the archetypal forces at play in Elmet, transporting the audience to a world of raw emotion and primal power. By harnessing the timeless folk melodies, Alipoor creates a haunting retelling of Mozley's novel that will leave viewers on the edge of their seats.

Despite its bold approach, the production does stumble into digressions at times, but overall, it remains a testament to Mozley's powerful storytelling and Alipoor's innovative direction. Elmet is a searing critique of society's failures to protect those living on the fringes, and this adaptation serves as a powerful reminder that some stories are too big for the stage – they need to be felt, not seen.
 
I just saw this play and I'm still reeling from it 🤯👀. The way the story was told, with only narration and reported speech, really drew me in - I felt like I was part of Elmet's world, you know? 😊 But what got me most was how the production tackled the tough themes like class, exploitation, and misogyny. It's not always easy to watch, but sometimes that's exactly what we need to see 🤕. The actress who played Cathy was amazing too - her intensity really made an impact 💪. And can we talk about that live score? It was so haunting and perfect for the story 🎶. All in all, it was a powerful reminder of Mozley's writing and Alipoor's direction 👏.
 
🤯 I just saw this production of Elmet and OMG it was so hauntingly beautiful 😱! The way they used narration and reported speech to tell the story really added to the emotional impact. LJ Parkinson as Danny was amazing, but Jennifer Jackson as Cathy stole the show 🙌! Her character's struggles against societal expectations were both heartbreaking and empowering at the same time 💔💪. The live score was like a punch to the gut - it perfectly captured the raw emotion and primal power of Elmet 🎶. I loved how they wove in themes of class, exploitation, and misogyny - it's so important to talk about these issues in a way that's both thought-provoking and emotionally resonant 💭. Overall, this production was a testament to Mozley's powerful storytelling and Alipoor's innovative direction 🌟. It's not just a show, it's an experience that stays with you long after the curtain falls 👻.
 
I think this production is so emotional 🤕 it really puts you in the shoes of Elmet family... The way the narrator uses reported speech makes you feel like you're part of their story, and Cathy's character is just heartbreaking 😭 Jennifer Jackson did an amazing job playing her role. I love how the live score by Adrian McNally and The Unthanks adds to the raw emotion and primal power of the performance 🎶 It's like they're singing straight from the heart 💖 And yeah, it might not be perfect, but overall it's a powerful reminder that some stories need to be felt, not just seen 😊
 
I just watched this play about this feral family and I gotta say, it was like watching a train wreck in slow motion 🚂💥 - you didn't wanna look but somehow you couldn't help yourself! The story's so dark and gritty, it's like eating a whole jar of wasabi - it'll burn your eyes out 😱. But honestly, it was kinda beautiful? Like, the way the narrator drew you in with his words was super cool, made me feel like I was part of the family 🤝. And that live score? Totally haunting! It's like they took all these ancient folk melodies and just... tortured them into something new and amazing 🎵. All in all, it's a wild ride, but trust me, you won't be bored 😴.
 
🤔 I'm not sure if I'd want to watch a show where you're literally narrating the story instead of acting. Like, isn't part of the magic of theatre when actors bring characters to life? 🎭 But at the same time, I get what they were trying to do - create this immersive experience that lets the audience fill in the gaps and imagine their own emotions with Danny's narration... it's kinda trippy 😳. And Jennifer Jackson's performance does sound intense 🔥! Still not convinced about this "less is more" approach tho 🤷‍♂️
 
I gotta say, I was super moved by the production of Elmet 🤯 it's like, you can literally feel the raw emotion and primal power emanating from the stage 💥 LJ Parkinson's performance as Danny is so haunting, he's almost a different person on stage, you know? And Jennifer Jackson's Cathy is just intense, man... I love how she connects her story to Charlotte Church's, it's like they're speaking truth to power 💪. The music is insane too, Adrian McNally and The Unthanks did an amazing job capturing the folk melodies 🎵. Overall, it's a testament to Mozley's writing and Alipoor's direction that you can feel the weight of Elmet's story so deeply - it's not just some abstract drama, it's a visceral experience 😩.
 
🤯 just saw this production of Elmet and OMG I'm still reeling from the experience! The use of narration and reported speech was so genius, it really did feel like you were right there with Danny and Cathy going through all that trauma 🤕. And LJ Parkinson's performance as Danny was insane - he's not even acting, just kinda telling you what's happening and it's still super powerful 💪. The way the live score came together with the folk melodies was also super haunting, it really added to the emotional impact of the whole thing 😓. Only thing is, some parts felt a bit disjointed like you said, but honestly I think that just adds to the overall sense of unease and discomfort that's supposed to be there 👻. Overall though, I'm so impressed with how this production brought Mozley's novel to life 🎭
 
😊 This production is like a punch in the gut - it's raw, emotional, and leaves you feeling unsettled but ultimately hopeful. I love how the narrator role gives LJ Parkinson a chance to step out of his skin and immerse us in Danny's world 🌎. The way Jennifer Jackson brings Cathy to life with her stony-faced intensity is just incredible 💪 - it's like she's channeling the anger and frustration of so many women who've been marginalized.

The live score is also a game-changer 🔥 - it adds this primal, earthy energy that perfectly captures the essence of Elmet. And I think what really gets me about this production is how it dares to take on some pretty tough themes 💔 - class, exploitation, misogyny... but instead of shying away from them, it leans into them head-on and refuses to back down.

It's not perfect, of course - there are moments where the pacing falters or the narrative gets a bit muddled 🤯 - but overall, I think this production is a triumph. It's like Javaad Alipoor has taken Mozley's novel and amplified its themes and emotions until they're almost overwhelming 😲. That's what makes it so powerful, too - by harnessing that energy, the show becomes an experience you can't shake off 🌪️.
 
awww man 🤕 I'm so saddened by the story of Elmet... it's like, can't we just treat everyone with kindness & respect? 🤝 the way Cathy's character speaks out against the injustices she faces is giving me all the feels 😭 it's heartbreaking to think about those who are living on the margins & not getting the help they need. I love how the production uses music to convey the emotions, though - it adds such a layer of depth to the story 🎵 anyway, just want to acknowledge the bravery of Fiona Mozley for telling this important story and Javaad Alipoor for bringing it to life in such a powerful way 💖
 
OMG u guys! I just watched Elmet on stage 2nite 🤯 and i'm still reeling from it! The way Javaad Alipoor used narration & reported speech was SO GENIUS 🙌, like it really made u feel like u were part of the story. LJ Parkinson as Danny was 🔥, but Jennifer Jackson's Cathy stole the show 💁‍♀️... that performance was literally heart-wrenching 😭. I love how the live score by Adrian McNally & The Unthanks added to the emotional vibe 🎶. It's clear why Mozley's novel is so powerful & this adaptation did it justice 💯. Can't wait 2 c what other artists tackle in the future 🤔
 
I'm literally shook by this production 🤯. I mean, I love how it tackles those tough themes like classism, exploitation & misogyny - it's so raw and unapologetic. The use of narration & reported speech is genius, it really does feel like you're getting the story from Elmet herself. LJ Parkinson is amazing as Danny, but Jennifer Jackson as Cathy? WOW 😲. She brings such intensity to that role, it's like she's speaking straight to your soul. And that live score by The Unthanks? 🔥 It perfectly captures the raw emotion of the story. My only gripe is that some parts did feel a bit disjointed, but overall I think this production does justice to Mozley's novel and leaves you feeling pretty uncomfortable 🤯 in a good way.
 
I gotta say, this production of Elmet is like a canary in the coal mine 🐦⚠️ - it's shining a light on the dark underbelly of our society and making us uncomfortable 😳. But let's get real, folks, this isn't just about a feral family's struggles; it's about systemic issues that are still plaguing us today 💸👥. I mean, think about it: the exploitation of the vulnerable, the lack of resources for those living on the margins... these are all issues that our policymakers should be addressing, but aren't 🤔. So while this production is a powerful work of art, we need to start asking ourselves: what's being done in our communities to address poverty, inequality, and social injustice? 🏙️💪
 
Just saw this play about the feral family Elmet and I'm still reeling from the experience 🤯 It's like they took a book and turned it into this visceral, emotional rollercoaster ride that'll leave you feeling uneasy and disturbed 😬 But in a good way? Like, it's not just some feel-good story about overcoming adversity - it's a scathing critique of society's failures to protect those on the edge 🤝 The music is haunting and perfect for setting the tone, and LJ Parkinson as Danny is just mesmerizing to watch 🔥 It's like he's drawing you into this world and refusing to let go 👀 Only wish they'd cut some of the digressions and stuck to the story, but overall it's a masterclass in storytelling 🎭
 
[Image of a person with a blank face, holding a sign that says "Fill in the blanks"]

[ GIF of a feral cat trying to get attention from humans ]

[ A meme of a family with one eye closed, captioned "Imagine what's going on behind this door" ]

[ Image of a woman with a stony expression, surrounded by flowers and birds, symbolizing her strength ]

[ A screenshot of a person sitting in silence, with the words "Sometimes you just have to feel it" on the screen ]
 
I gotta say, I'm loving how this production takes a bold approach with narration and reported speech 🤯 It's like you're right there in Elmet's world, feeling their pain and struggles. LJ Parkinson is on point as Danny, he really brings the audience into his story. And Jennifer Jackson's performance? Wow, she nails Cathy's character 💁‍♀️ The live score by Adrian McNally and The Unthanks is pure magic ✨ It's like they're tapping into Elmet's raw emotion and primal power. Now, I know some people might say it stumbles a bit with digressions, but honestly, I think that just adds to the raw, unfiltered nature of the story 🤔
 
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