Northern Gothic: the haunting beauty of forgotten towns in Yorkshire and Lancashire.
Richie Culver's latest album I Trust Pain is a cinematic exploration of his childhood home, Withernsea, a faded seaside resort near Hull. The 46-year-old musician, who grew up in the town before leaving for London at 17, found himself drawn to its stories and emotions after years of searching elsewhere. "I remember feeling so resentful," he recalls. "I heard Tracey Chapman's Fast Car and thought: is this song about me?" The album's mix of witchy trap, spoken-word, and dreary ambient draws on these feelings, weaving a dark and haunting narrative.
Northern Gothic is a musical movement that celebrates the beauty in forgotten towns like Withernsea. Artists such as Rainy Miller, Blackhaine, Iceboy Violet, and Shell Company are creating music that reflects their experiences growing up in isolation and boredom. These musicians often draw on feelings of alienation and loneliness to create confessional lyrics and dark, club-adjacent sounds.
Rainy Miller, a Lancashire-based artist from Longridge, has founded the Fixed Abode label, which has become a hub for these northern experimental artists. His album Joseph, What Have You Done? explores his own experiences with family and small-town upbringing, while the theme of isolation and loneliness is echoed in Iceboy Violet's Not a Dream, But a Controlled Explosion.
The White Hotel in Salford is another key location, where regulars and like-minded northern artists have gathered to share their work. This club has provided a platform for these musicians to perform together, fostering friendships and collaborations that have inspired some of the most innovative music coming out of the north.
Richie Culver's I Trust Pain is a defining album in this movement, its mix of industrial beats and witchy trap drawing on his own experiences growing up in Withernsea. The album explores themes of childhood escape fantasies, loneliness, and relationships, with lyrics that are both deeply personal and universally relatable. Culver's gratitude for the stories and emotions of his hometown shines through, as he processes his feelings about leaving and coming back.
The Northern Gothic movement is a testament to the beauty in forgotten towns and the power of music to capture our emotions and experiences. These artists are creating something new and exciting, drawing on their own histories to craft a sound that is both hauntingly beautiful and deeply relatable. As Richie Culver says, "I'd never heard anybody make the north sound so cool, and poetic."
Richie Culver's latest album I Trust Pain is a cinematic exploration of his childhood home, Withernsea, a faded seaside resort near Hull. The 46-year-old musician, who grew up in the town before leaving for London at 17, found himself drawn to its stories and emotions after years of searching elsewhere. "I remember feeling so resentful," he recalls. "I heard Tracey Chapman's Fast Car and thought: is this song about me?" The album's mix of witchy trap, spoken-word, and dreary ambient draws on these feelings, weaving a dark and haunting narrative.
Northern Gothic is a musical movement that celebrates the beauty in forgotten towns like Withernsea. Artists such as Rainy Miller, Blackhaine, Iceboy Violet, and Shell Company are creating music that reflects their experiences growing up in isolation and boredom. These musicians often draw on feelings of alienation and loneliness to create confessional lyrics and dark, club-adjacent sounds.
Rainy Miller, a Lancashire-based artist from Longridge, has founded the Fixed Abode label, which has become a hub for these northern experimental artists. His album Joseph, What Have You Done? explores his own experiences with family and small-town upbringing, while the theme of isolation and loneliness is echoed in Iceboy Violet's Not a Dream, But a Controlled Explosion.
The White Hotel in Salford is another key location, where regulars and like-minded northern artists have gathered to share their work. This club has provided a platform for these musicians to perform together, fostering friendships and collaborations that have inspired some of the most innovative music coming out of the north.
Richie Culver's I Trust Pain is a defining album in this movement, its mix of industrial beats and witchy trap drawing on his own experiences growing up in Withernsea. The album explores themes of childhood escape fantasies, loneliness, and relationships, with lyrics that are both deeply personal and universally relatable. Culver's gratitude for the stories and emotions of his hometown shines through, as he processes his feelings about leaving and coming back.
The Northern Gothic movement is a testament to the beauty in forgotten towns and the power of music to capture our emotions and experiences. These artists are creating something new and exciting, drawing on their own histories to craft a sound that is both hauntingly beautiful and deeply relatable. As Richie Culver says, "I'd never heard anybody make the north sound so cool, and poetic."