Fabiano Do Nascimento's Latest Masterpiece, 'Vila', Showcases His Unwavering Artistry
Brazilian guitarist Fabiano do Nascimento has been steadily building a reputation as one of the most versatile and talented musicians in the industry. With his 14th album, 'Vila', he continues to push the boundaries of his artistry, collaborating with the 16-piece Vittor Santos Orquestra to create an immersive and emotive listening experience.
Throughout the 11-track album, do Nascimento's mastery of the guitar is on full display. Employing a signature combination of finger-picked melodics and percussive strumming, he seamlessly weaves in and out of the orchestra's dynamic range, never playing a single role. The result is an enchanting balance of textures and moods, which do Nascimento expertly navigates.
From the opening notes of 'Spring Theme', it becomes clear that this is no ordinary album. Do Nascimento establishes a simple yet guiding melody that propels the ensemble forward, with lush strings and soft shaker rhythm providing a rich backdrop to his intricate picking. On 'Tema em Harmônicos', his fingerpicking takes on a life of its own, responding to the staccato tones of the brass section in a mesmerizing display of interplay.
Conductor Vittor Santos's arrangements are reminiscent of fellow Brazilian, Arthur Verocai, with their lush, bossa-influenced orchestrations and enveloping harmonies. The result is an album that feels both timeless and contemporary, its imaginative mood music evoking the best of Brazilian jazz without ever quite reaching its full dramatic potential.
While 'Vila' may not be a traditional showstopper, it is undeniably powerful. Do Nascimento's virtuosity on the guitar is on full display, particularly on the sprightly 'O Tempo (Foi o Meu Mestre)', where he switches between double-time swing and half-time sway with ease.
Ultimately, 'Vila' is a testament to do Nascimento's unwavering artistry and dedication to his craft. This album will appeal to fans of Brazilian jazz, as well as anyone drawn to music that is both imaginative and emotionally resonant.
Brazilian guitarist Fabiano do Nascimento has been steadily building a reputation as one of the most versatile and talented musicians in the industry. With his 14th album, 'Vila', he continues to push the boundaries of his artistry, collaborating with the 16-piece Vittor Santos Orquestra to create an immersive and emotive listening experience.
Throughout the 11-track album, do Nascimento's mastery of the guitar is on full display. Employing a signature combination of finger-picked melodics and percussive strumming, he seamlessly weaves in and out of the orchestra's dynamic range, never playing a single role. The result is an enchanting balance of textures and moods, which do Nascimento expertly navigates.
From the opening notes of 'Spring Theme', it becomes clear that this is no ordinary album. Do Nascimento establishes a simple yet guiding melody that propels the ensemble forward, with lush strings and soft shaker rhythm providing a rich backdrop to his intricate picking. On 'Tema em Harmônicos', his fingerpicking takes on a life of its own, responding to the staccato tones of the brass section in a mesmerizing display of interplay.
Conductor Vittor Santos's arrangements are reminiscent of fellow Brazilian, Arthur Verocai, with their lush, bossa-influenced orchestrations and enveloping harmonies. The result is an album that feels both timeless and contemporary, its imaginative mood music evoking the best of Brazilian jazz without ever quite reaching its full dramatic potential.
While 'Vila' may not be a traditional showstopper, it is undeniably powerful. Do Nascimento's virtuosity on the guitar is on full display, particularly on the sprightly 'O Tempo (Foi o Meu Mestre)', where he switches between double-time swing and half-time sway with ease.
Ultimately, 'Vila' is a testament to do Nascimento's unwavering artistry and dedication to his craft. This album will appeal to fans of Brazilian jazz, as well as anyone drawn to music that is both imaginative and emotionally resonant.
Fabiano do Nascimento just dropped this new album 'Vila' 
and I'm OBSESSED! His guitar work is on another level 
, it's like he's painting a picture with sound colors 
. I love how he blends the guitar with the orchestra, it creates this magical balance of textures and moods that'll transport you to another world 
. And can we talk about Vittor Santos's arrangements? They're so lush and bossa-influenced 
! The way he combines instruments is pure genius 
. This album may not be a traditional showstopper, but trust me, it's powerful 
. If you're a fan of Brazilian jazz or just great music in general, do yourself a favor and give 'Vila' a listen 
. It sounds like just a fancy way to describe some old dude playing the same chords he's been playing for years 
. I mean, come on, it's just guitar and strings... how original 
. I'll stick to my industrial techno playlists, thank you very much 
.
. And can we talk about Vittor Santos's arrangements? They're so lush and bossa-influenced, it's like you're transported to a Brazilian jazz paradise 
. Do Nascimento's got some serious chops on this album, especially on 'O Tempo (Foi o Meu Mestre)' - that double-time swing is insane 
, i mean it's got some sick vibes, but sometimes it feels like just too much going on 
, and the way he weaves in with the orchestra is pure magic 
besides, 'tema em harmônicos' sounds like just another example of the guy's fingerpicking skills on full display, which is cool and all, but it's not exactly groundbreaking. 
. I love how he collaborates with the Vittor Santos Orquestra, it's like having a team of skilled players on your side that elevate his guitar playing to a whole new level 
. Overall, I think do Nascimento is one of the most underrated musicians out there, but 'Vila' proves that he's definitely on top of his game 
. Anyway, if you're a fan of Brazilian jazz or just great music in general, you need to check out Vila! 
. But what really gets me is how 'Vila' feels both super old-school and totally modern at the same time 
. It's like do Nascimento is tapping into this deep well of Brazilian jazz history, but still manages to put his own spin on it 
. This guy's got something special, and 'Vila' is proof that he's still pushing the boundaries of what's possible with music 
.
. If you're a fan of Brazilian jazz or just great music in general, 'Vila' is a must-listen 
️ what i love most about this album is how timeless yet contemporary it feels 
don't expect any flashy production or gimmicks just pure, unadulterated artistry 
. I'm all about this bossa-influenced vibe 
. What do you think is his inspiration for creating music that feels both timeless & contemporary at the same time? Is it just a natural talent or has he been influenced by other artists 
! I mean, who else can make a simple melody so captivating? but what i'm really vibing on is how 'Vila' defies traditional boundaries. it's like fabiano's pushing the limits of what's possible on the instrument, and it's so inspiring to see him take risks like that 
i've been listening to it nonstop since it dropped and i still can't get enough of it 
i'm also loving the vibe of the lyrics, so emotive and introspective 
have u listened to it yet? what do u think of fabiano's guitar work? 
but with more brazilian vibes 
"spring theme" gives me all the feels every time 
also, that guy vittor santos is a genius 
the way he arranges the orchestra to back up fabiano's guitar is pure magic 
Fabiano do Nascimento is like a Brazilian guitar wizard, casting a spell with every strum 
I LOVE HOW HE CAN GO FROM SMOOTH AND SOFT TO FAST-PACED AND ENERGETIC IN SECONDS! 
i mean have you listened to 'spring theme' its like he's speaking directly to your soul with those gentle fingerpicks 
i love how he weaves in & out of that 14-piece orchestra its like a masterclass in texture & mood