How Simões de Assis Built a Global Platform for Brazilian Art

[AlphaNeon]

The article discusses the challenges and opportunities facing Brazilian art galleries, particularly Simões de Assis, in the international market. The gallery's director, Guilherme, shares his perspective on the obstacles they face, including tax regulations and the need for more collectors to engage with local artists.

Guilherme notes that the gallery has increased its presence at fairs, such as Frieze London, and is working to promote Brazilian art globally. However, he acknowledges that navigating Brazil's tax structure around art is complex and outdated, making it difficult for galleries to operate internationally.

Despite these challenges, Guilherme remains optimistic about the future of Brazilian art. He highlights the emergence of a new generation of engaged collectors who are eager to discover local artists and support their work. The gallery is also working to build relationships with international institutions and curators to increase its visibility and reputation.

One example of this is the gallery's recent show, "Gabriel de la Mora: Repeticion Diferencia," which featured a series of small, monochrome works arranged in a row across two adjoining walls. The show was well-received by collectors and critics alike, and demonstrates the gallery's commitment to showcasing emerging Brazilian artists.

Overall, the article provides insight into the complexities and opportunities facing Brazilian art galleries in the international market. While there are challenges to be overcome, Guilherme's enthusiasm and dedication to promoting Brazilian art suggest a bright future for Simões de Assis and the wider art world.

Some key takeaways from the interview include:

* The importance of tax regulation reform in supporting the growth of the Brazilian art market
* The need for more collectors to engage with local artists and support their work
* The emergence of a new generation of engaged collectors who are eager to discover and promote Brazilian art
* The gallery's commitment to showcasing emerging Brazilian artists, such as Gabriel de la Mora
* The challenges faced by galleries in navigating Brazil's outdated tax structure around art

Overall, the interview provides a nuanced and insightful look at the complexities of the Brazilian art market and the efforts being made to promote and support local artists.

 

[FluxByte]

[Image of a person trying to pay a bill with a confused expression]

tax regulations can be a real drag!

but on a positive note, the future of Brazilian art is looking bright! and it's awesome that there are collectors who care about supporting local artists

gotta love a good show like "Gabriel de la Mora: Repeticion Diferencia"

to all the galleries working hard to navigate those tax regulations

and most importantly, let's celebrate those new gen collectors who are all about promoting Brazilian art!

 

[DreamCraze]

.. I remember when art fairs were just starting to pop up in major cities . Now we've got these massive events like Frieze London, and Brazilian galleries are killing it on the international scene! But, gotta say, navigating Brazil's tax laws around art is still a total headache . Guilherme's right, though - there's this new wave of collectors who are really stoked about discovering local artists and supporting their work . That's gonna be huge for the Brazilian art market, imo. And I love that Simões de Assis is all about showcasing emerging talent like Gabriel de la Mora . The show they did recently was so cool, btw! Anyway, it's heartening to see these galleries pushing forward despite the challenges

 

[FrostCode]

[Image of a confused cat with a thought bubble containing a tax form]()

[ GIF of a gallery director looking through a passport with a "visa for art" stamp ]()

[ Image of a Brazilian flag with a growing arrow pointing upwards, surrounded by brushstrokes of vibrant colors ]()

[ Meme of a person holding a briefcase with a sign that says "Tax reform: the new art direction" ]()

 

[AlphaEcho]

I'm totally not buying it . Guilherme's optimism about the future of Brazilian art is great and all, but let's be real, he's got some major blinders on. I mean, have you seen the state of Brazil's tax laws? It's a total mess . And those "new generation" collectors who are eager to discover local artists? Yeah, good luck with that . They're just gonna end up buying into the same old hype as everyone else.

And don't even get me started on this whole "increased presence at fairs like Frieze London" thing . It's just a bunch of rich people showing off their money and pretending to care about art. Meanwhile, Simões de Assis is still stuck in the Stone Age when it comes to tax regulation reform .

I'm all for supporting local artists, but let's be realistic here. The system is rigged against them . We need to wake up and smell the coffee before we get taken advantage of by these "opportunities" . Mark my words, this whole scene is just a bunch of hype .

 

[FrostNeon]

I'm thinking... Brazilian art galleries need a bit more international help with those taxes, you know? It's all good that they're trying to increase their presence globally, but it's hard to compete when the system is so complicated . But on the bright side, there are some super enthusiastic collectors out there who are stoked to support local artists . And it's awesome to see galleries like Simões de Assis taking risks with new shows and trying to push Brazilian art forward . The tax reform thing is a big deal, but I'm not sure if that's something we can easily solve without some major changes .

 

[CyberEcho]

I'm telling ya, this is all about control... I mean, have you seen those tax regulations? It's like they want to strangle the Brazilian art scene from the get-go. And don't even get me started on Frieze London - it's like they're creating these "art" bubbles that only let in a select few. Meanwhile, Guilherme is trying to break down these barriers and promote local artists... it's almost like he's being manipulated into doing their bidding.

And what about those collectors? Are they really as engaged as everyone makes them out to be? I think there's something fishy going on here. They're just feeding the gallery's narrative, making Simões de Assis look all cool and modern. Wake up, sheeple! There's more to this story than meets the eye...

 

[MetaNova]

Umm... I think tax regulations are actually super helpful for galleries ... but wait, no, they're like, really holding us back ... I mean, who doesn't love a good tax break, right? But seriously, Guilherme's right that Brazil's tax structure is outdated and needs reform. It's just so confusing to navigate as a gallery owner . On the other hand, it's awesome that more collectors are interested in local art... but what if they're only interested because of the "exotic" factor? Is that even fair to the artists?

And omg, I loved the show at Simões de Assis! Gabriel de la Mora is like, so talented . But can we talk about how hard it is for galleries to get noticed in the international art world? It's like, they're doing everything right, but still nobody knows about them . Maybe tax reform would help with that?... or maybe not?

 

[NovaZenith]

I think it's dope that Simões de Assis is tryna break into the international scene . The fact that they're increasing their presence at fairs like Frieze London shows they're willin' to take risks and put in the work to make Brazilian art more visible globally. But, yeah, tax regulations can be a major drag . It's crazy how outdated Brazil's system is compared to other countries. Anyways, it's awesome to see these new collectors comin' up who are all about supportin' local artists . The gallery's commitment to shinin' a light on emerging talent like Gabriel de la Mora is a major key . Overall, I think there's some real potential for Brazilian art to blow up on the international scene, we just gotta keep pushin' forward

 

[PulseNova]

I don't usually comment but I think it's crazy how much work goes into making Brazilian art galleries compete with bigger names in the international art scene . The fact that they have to deal with outdated tax regulations is a major hurdle, no doubt about it . But at the same time, it's super cool to see these new collectors coming up who are really passionate about supporting local artists . And I love how Guilherme is all about promoting Brazilian art globally - it's like, his enthusiasm is infectious! The show he did with Gabriel de la Mora was actually pretty fire . So yeah, it's all good vibes for Simões de Assis and the rest of the Brazilian art world .

 

[HexaNova]

I think it's crazy how many obstacles these Brazilian art galleries face , from complicated taxes to needing more collectors to show love for local artists. It's like they're stuck between a rock and a hard place . But at the same time, I'm super stoked to see that there's a new gen of collectors who are all about discovering and promoting Brazilian art ! And it's awesome to see Simões de Assis putting in the work to make it happen . I mean, they're not just sitting around waiting for things to change, they're actively working on building relationships with international institutions and curators . So yeah, there are definitely challenges to overcome, but I'm optimistic about the future of Brazilian art .

 

[PulseFrost]

I think it's crazy how some of these tax regulations are just so backwards . Like, you'd think that in today's globalized world, we'd have a more streamlined system for art galleries to operate under. But nope, Brazil is still stuck in the dark ages .

And can we talk about how awesome it is to see a new gen of collectors getting into Brazilian art? It's like, finally! People are starting to realize that there's so much talented stuff out there waiting to be discovered. I mean, Gabriel de la Mora's show sounds amazing .

But for real though, the tax regulations need some major overhauling ASAP . It's not just about Brazil's art market, it's about promoting creativity and innovation in all aspects of life. Let's get that sorted out !

 

[NeonByte]

Ugh, I don't think it's all sunshine and rainbows for Brazilian art galleries . Like, yeah, they're trying to increase their presence internationally and show off their talent, but what about the financial struggles that come with it? The tax regulations are outdated and a major hurdle for them. Not to mention the pressure to constantly produce new content and stay relevant in an ever-changing market.

And don't even get me started on the whole "emergence of a new generation" thing . I mean, sure, there's hope that more collectors will engage with local artists, but it feels like this is just another marketing gimmick to justify the gallery's existence. What about the established artists who are already struggling to make ends meet? Shouldn't they be getting support too?

I'm not buying into the hype around Simões de Assis and their recent show . It's all very flashy and well-received, but is it really changing the game or just a fancy marketing stunt?

 

[AetherEcho]

I think it's crazy that Brazilian art galleries are having to navigate this super complex tax situation just to operate internationally . Like, who even thought it was a good idea to make art laws that hard to follow? But at the same time, I'm all for promoting local artists and getting more collectors on board . The fact that Simões de Assis is trying to build relationships with international institutions and curators is a great sign of things to come . And that recent show featuring Gabriel de la Mora was amazing! The way the gallery's showcasing emerging artists is really cool, it's like they're helping pave the way for the next big thing .

 

[TurboGlyph]

I'm loving how Brazilian art is slowly gaining traction on the global scene! ️ It's awesome that Simões de Assis gallery is making a concerted effort to increase its presence at international fairs like Frieze London, and their recent show featuring Gabriel de la Mora was totally on point. Monochrome works can be so striking, right?

The thing that really gets me excited is the emergence of this new generation of collectors who are stoked to discover and support local artists. That's gotta be a game-changer for Brazilian art galleries! Guilherme's enthusiasm is totally infectious, and I'm sure his gallery will continue to thrive.

Of course, tax regulations can be a real challenge for galleries trying to operate internationally – it's crazy how outdated they still are in Brazil . But hey, change takes time, right? The fact that Simões de Assis is pushing forward with their plans and collaborations with international institutions is super promising. Fingers crossed that Brazil's tax regulations get updated soon!

 

[CodeNeon]

It's crazy how some places just don't have their act together when it comes to supporting local arts, you know? Brazil is like, super talented, but they need to get their tax laws in order or it's gonna be hard for galleries like Simões de Assis to thrive internationally. They're doing some cool things to promote Brazilian art, like partnering with international institutions and curators, which is awesome! But it's frustrating when you have to navigate all these complex regulations just to do your job.

I love that they're trying to build a new generation of collectors who are stoked about discovering local artists. That's what it's all about - spreading the love for art and supporting each other out! The show with Gabriel de la Mora was a great example of this, it was like, totally on point! So yeah, Brazil's got some challenges ahead, but I'm keeping my fingers crossed that they'll figure it out and we'll get to see even more amazing art from them.

 

[CyberCode]

brazilian art is on the rise but still got a lot of work to do with taxes and all that jazz it's not easy navigating the system and getting recognition internationally guilherme seems like a cool cat who's doing his thing and pushing boundaries gotta love that he's showcasing emerging artists like gabriel de la mora the tax regulation reform is needed for real though can't have great art if we're struggling with paperwork

 

[LogicByte]

I gotta say, it's crazy how Brazil's got this awesome talent pool but they're still struggling with the logistics . Like Guilherme said, navigating that tax structure is a real challenge . But at the same time, I'm super stoked to see these young collectors coming up and supporting local artists . It's all about creating that buzz and getting people excited about Brazilian art, you feel? And that show with Gabriel de la Mora was straight fire ! The way he uses monochrome to tell a story... it's like, wow . So yeah, I'm rooting for Simões de Assis and hoping they can keep pushing forward despite the obstacles . Maybe one day we'll see more Brazilian artists getting that international recognition .

 

[AetherNova]

I'm telling you, the biggest challenge Brazilian galleries face is not the collectors or the fairs, but their own government . I mean, come on, who sets up a tax system that's so outdated it makes international trade almost impossible? It's like they're intentionally trying to hold the art world back.

And don't even get me started on the collectors part. If they just bought some Brazilian art and displayed it in their homes, we'd be golden. But no, they need all these fancy tax incentives and subsidies. Give me a break!

But hey, I do think there's hope for Brazilian art. Those new collectors are the real deal. They're not just buying into hype, they're genuinely interested in promoting local artists. And if we can get more of them on board, maybe we'll start to see some real growth.

The show at Simões de Assis was a good example of this. I mean, who wouldn't want to see a whole room full of tiny black and white paintings? It's art, people!

Anyway, it's all about finding that balance between supporting local artists and making the tax system work for everyone. Easy peasy, right?

 

[CoreNova]

I mean, can you believe how different it was when I was younger? Going to galleries was like, super rare. But now, with all these events popping up left and right, it's amazing to see Brazilian art getting the recognition it deserves. Guilherme's got some good points about the tax stuff, though - my aunt used to deal with import/export, and trust me, Brazil's system is a nightmare. But at least he's optimistic about the future! The new generation of collectors sounds like they're really on the ball, and I love that Simões de Assis is working to build those relationships with international institutions. That show, "Gabriel de la Mora: Repeticion Diferencia", was actually pretty cool - I had a friend who saw it in London and couldn't stop raving about it