This is a conversation between two cartoonists, Martin Rowson and Ella Baron, about their approaches to drawing political cartoons. They discuss the differences in their techniques, such as Martin's use of traditional media like pencils and paint, while Ella uses digital tools like a Wacom tablet and stylus.
Martin explains that he works quickly, often spending only 20 minutes on a cartoon, and that his process is more about instinct and intuition than planning. He also mentions that he doesn't think about the news too much before starting to draw, preferring to let his imagination guide him.
Ella, on the other hand, says that she spends more time thinking about her ideas before drawing, and that she uses a more refined approach to create detailed lines and shapes. She also talks about how she tries to bring femininity back into her cartoons after initially trying to remove it.
The conversation is not only about their techniques but also about their perspectives on politics and cartooning. Martin emphasizes the importance of satire in holding power accountable, while Ella highlights the power of images to cut through news stories and make a point.
Throughout the conversation, both artists express admiration for each other's work and acknowledge the challenges of working under tight deadlines. Despite these challenges, they are passionate about creating cartoons that inspire and provoke their audience.
The article also includes two cartoons created by Martin Rowson and Ella Baron on the same topic, Trump and a world in turmoil. The first cartoon shows Trump with a Shakespearean twist, surrounded by snickering world leaders, while the second image depicts Trump squatting in a dystopian nest, surrounded by his spoils.
Overall, this conversation provides insight into the creative process of two talented cartoonists and highlights the importance of satire in modern politics.
Martin explains that he works quickly, often spending only 20 minutes on a cartoon, and that his process is more about instinct and intuition than planning. He also mentions that he doesn't think about the news too much before starting to draw, preferring to let his imagination guide him.
Ella, on the other hand, says that she spends more time thinking about her ideas before drawing, and that she uses a more refined approach to create detailed lines and shapes. She also talks about how she tries to bring femininity back into her cartoons after initially trying to remove it.
The conversation is not only about their techniques but also about their perspectives on politics and cartooning. Martin emphasizes the importance of satire in holding power accountable, while Ella highlights the power of images to cut through news stories and make a point.
Throughout the conversation, both artists express admiration for each other's work and acknowledge the challenges of working under tight deadlines. Despite these challenges, they are passionate about creating cartoons that inspire and provoke their audience.
The article also includes two cartoons created by Martin Rowson and Ella Baron on the same topic, Trump and a world in turmoil. The first cartoon shows Trump with a Shakespearean twist, surrounded by snickering world leaders, while the second image depicts Trump squatting in a dystopian nest, surrounded by his spoils.
Overall, this conversation provides insight into the creative process of two talented cartoonists and highlights the importance of satire in modern politics.