Artist Tom de Freston's latest exhibition, Poíēsis, features a collection of paintings that capture his wife Kiran Millwood Hargrave's journey through pregnancy, loss and ultimately, parenthood. The works, which include nude portraits of Millwood Hargrave at various stages of her pregnancies, showcase the artist's unique approach to exploring themes of love, loss and hope.
At the heart of Poíēsis is de Freston's fascination with the female figure, a subject he has been drawn to for years. However, unlike traditional depictions of women in art, Millwood Hargrave's portraits are not posed or eroticized, but rather, they capture the intimacy and vulnerability of their relationship.
De Freston's paintings are deeply personal, born out of his own experiences with grief and loss. After seven miscarriages, Millwood Hargrave finally gave birth to a daughter in 2023, and de Freston was overwhelmed by the experience. "She took a breath, and it instantly felt like the whole world unlocked," he recalls.
The works in Poíēsis are more than just paintings - they are rituals, spells, and prayers. They capture the magical thinking that occurs during pregnancy, particularly when there have been losses. De Freston's use of color, texture, and composition creates a sense of atmosphere and mood, drawing the viewer into the emotional world of the subjects.
Despite their intimate nature, the paintings do not feel exploitative or voyeuristic. Rather, they are a testament to de Freston's empathy and understanding of Millwood Hargrave as a person, rather than just a subject. The collaboration between artist and muse is evident in every brushstroke, every color choice.
In an era where exploration of pregnancy and miscarriage in art remains relatively rare, Poíēsis offers a unique and powerful vision of hope and resilience. It is a testament to the transformative power of love and loss, and a reminder that even in darkness, there is always the possibility for light.
At the heart of Poíēsis is de Freston's fascination with the female figure, a subject he has been drawn to for years. However, unlike traditional depictions of women in art, Millwood Hargrave's portraits are not posed or eroticized, but rather, they capture the intimacy and vulnerability of their relationship.
De Freston's paintings are deeply personal, born out of his own experiences with grief and loss. After seven miscarriages, Millwood Hargrave finally gave birth to a daughter in 2023, and de Freston was overwhelmed by the experience. "She took a breath, and it instantly felt like the whole world unlocked," he recalls.
The works in Poíēsis are more than just paintings - they are rituals, spells, and prayers. They capture the magical thinking that occurs during pregnancy, particularly when there have been losses. De Freston's use of color, texture, and composition creates a sense of atmosphere and mood, drawing the viewer into the emotional world of the subjects.
Despite their intimate nature, the paintings do not feel exploitative or voyeuristic. Rather, they are a testament to de Freston's empathy and understanding of Millwood Hargrave as a person, rather than just a subject. The collaboration between artist and muse is evident in every brushstroke, every color choice.
In an era where exploration of pregnancy and miscarriage in art remains relatively rare, Poíēsis offers a unique and powerful vision of hope and resilience. It is a testament to the transformative power of love and loss, and a reminder that even in darkness, there is always the possibility for light.