I know they did that live music performance
... wait, I was thinking about how cool it would be if they did a virtual reality experience for the next iteration... and then I realized I already said that in my comment from last year's House of Tarot
. Anyway, I think what really stood out to me this time around was Melissa Webb's King of Cups installation – it felt so intimate, like you were right there with them
. And Jesse Kassel's Nine of Pentacles room is still giving me vibes... can someone explain to me why the artist chose to leave it ambiguous on purpose?
I mean, I got some stuff out of it, but it's definitely an interpretation-hungry piece...