Anish Kapoor's latest project, "Butchered," has taken an unconventional approach to climate activism. The British sculptor collaborated with Greenpeace to spray-paint a massive, red-streaked canvas down the side of a Shell oil rig in the North Sea. The artwork is not just visually striking but also serves as a poignant reminder of the devastating impact of human activities on the environment.
Greenpeace campaigner Philip Evans explained that the project was conceived as a way to hold the oil and gas industry accountable for the climate chaos it's causing. "We wanted to do something big and bold that speaks to people not at an abstract level but at an emotional, almost visceral one," he said. The goal is to make visible the harm caused by fossil fuel giants and their responsibility for extreme weather events.
The artwork itself is a complex logistical operation, involving 1,000 liters of liquid, food-grade dye, beetroot powder, and seawater. Kapoor's use of pigments was central to the project, with the aim of creating a deep red color reminiscent of blood. The viscosity and color had to be just right to achieve the desired effect.
While some may see Greenpeace's efforts as less dramatic than those of students throwing soup at classic paintings, Evans argues that their approach is more ambitious. "We're part of that lineage of climate-driven artistic activism situated with strategy and precision," he said. The Polluters Pay Pact, a global alliance demanding that corporations pay for the damages they cause, is just one example of the concrete steps readers can take if moved by the artwork.
Ultimately, Kapoor's project serves as a wake-up call, encouraging people to think about the impact of their actions on the environment and demand more from governments and corporations. As Evans put it, "We need to draw everyone's attention to the industry that's fueling the climate crisis."
Greenpeace campaigner Philip Evans explained that the project was conceived as a way to hold the oil and gas industry accountable for the climate chaos it's causing. "We wanted to do something big and bold that speaks to people not at an abstract level but at an emotional, almost visceral one," he said. The goal is to make visible the harm caused by fossil fuel giants and their responsibility for extreme weather events.
The artwork itself is a complex logistical operation, involving 1,000 liters of liquid, food-grade dye, beetroot powder, and seawater. Kapoor's use of pigments was central to the project, with the aim of creating a deep red color reminiscent of blood. The viscosity and color had to be just right to achieve the desired effect.
While some may see Greenpeace's efforts as less dramatic than those of students throwing soup at classic paintings, Evans argues that their approach is more ambitious. "We're part of that lineage of climate-driven artistic activism situated with strategy and precision," he said. The Polluters Pay Pact, a global alliance demanding that corporations pay for the damages they cause, is just one example of the concrete steps readers can take if moved by the artwork.
Ultimately, Kapoor's project serves as a wake-up call, encouraging people to think about the impact of their actions on the environment and demand more from governments and corporations. As Evans put it, "We need to draw everyone's attention to the industry that's fueling the climate crisis."