Can Kanal, a €1 billion arts complex in Brussels, survive the current political paralysis? The question echoes with growing urgency as Belgian regional politicians struggle to form a functioning government.
If the Brussels-Capital region's lack of leadership is anything like the situation unfolding in Brussels, 12 months before it opens and 18 months after elections, "we risk having to stop construction, threatening the entire project's future," said Kanal's director, Kasia Redzisz. The museum's ambitious plans are being held back by government infighting and a deadlock that has been running for 537 days.
The €1 billion arts complex is touted as a game-changer for Brussels, offering 20,000 sq meters of public space, an architecture centre, restaurants, and live performance venues. It will be bigger than the original Tate Modern in London and rival Paris's Palais de Tokyo and Bilbao's Guggenheim.
While supporters argue that arts institutions like Kanal are essential to a city's fabric, critics are raising concerns about its affordability. "It's absolutely essential for Brussels to have this space," said Ann Demeester, director of Kunsthaus Zürich in Switzerland. However, others like Dirk Snauwaert, director of Wiels, are urging officials to find savings and cut ties with the Pompidou.
The museum will feature works by Matisse, Picasso, and Giacometti on loan from the Centre Pompidou in Paris. The connection has been greeted with scepticism by some Flemish speakers who make up 60% of Belgium's population but are a minority in Brussels, raising suspicions of French colonial attitudes.
The impact of government paralysis on arts projects like Kanal is becoming increasingly evident as Brussels faces a fiscal reality that may require significant cuts to its budget. "We must find €1bn in savings out of a total budget of €7bn," said a spokesperson for the Francophone centrist party Les Engagés, one of six parties at the negotiating table.
With Kanal's opening now uncertain and potential austerity measures looming, questions remain about whether this doable project will be able to withstand Brussels' current political climate.
If the Brussels-Capital region's lack of leadership is anything like the situation unfolding in Brussels, 12 months before it opens and 18 months after elections, "we risk having to stop construction, threatening the entire project's future," said Kanal's director, Kasia Redzisz. The museum's ambitious plans are being held back by government infighting and a deadlock that has been running for 537 days.
The €1 billion arts complex is touted as a game-changer for Brussels, offering 20,000 sq meters of public space, an architecture centre, restaurants, and live performance venues. It will be bigger than the original Tate Modern in London and rival Paris's Palais de Tokyo and Bilbao's Guggenheim.
While supporters argue that arts institutions like Kanal are essential to a city's fabric, critics are raising concerns about its affordability. "It's absolutely essential for Brussels to have this space," said Ann Demeester, director of Kunsthaus Zürich in Switzerland. However, others like Dirk Snauwaert, director of Wiels, are urging officials to find savings and cut ties with the Pompidou.
The museum will feature works by Matisse, Picasso, and Giacometti on loan from the Centre Pompidou in Paris. The connection has been greeted with scepticism by some Flemish speakers who make up 60% of Belgium's population but are a minority in Brussels, raising suspicions of French colonial attitudes.
The impact of government paralysis on arts projects like Kanal is becoming increasingly evident as Brussels faces a fiscal reality that may require significant cuts to its budget. "We must find €1bn in savings out of a total budget of €7bn," said a spokesperson for the Francophone centrist party Les Engagés, one of six parties at the negotiating table.
With Kanal's opening now uncertain and potential austerity measures looming, questions remain about whether this doable project will be able to withstand Brussels' current political climate.