A Palestinian girl's dying pleas for help cut through the chaos of an airport terminal as actress Kaouther Ben Hania first heard Hind Rajab's voice in February 2024, just days after her death. The five-year-old had been shot multiple times by an Israeli tank alongside six of her relatives in Gaza, leaving behind a trail of destruction and grief.
Hind's desperate cries for help were recorded on the night of January 26, 2024, as she called the Palestine Red Crescent Society emergency call centre via a mobile phone. The recording was made during a particularly traumatic moment – Hind had been shot multiple times and was bleeding out among her dead relatives. The four workers at the call centre promised to send help, but their pleas for assistance were repeatedly ignored.
Ben Hania, a Tunisian director who has made a career out of tackling tough subjects in her films, was struck by the urgency and desperation in Hind's voice. "When I heard her voice, for that millisecond, it felt as if she was asking me to save her," Ben Hania says. The experience left an indelible mark on her – she immediately cleared her schedule to work on a film based around Hind's voice.
The result is a powerful drama, called simply "The Voice of Hind Rajab". In the film, Hind's voice is recreated by actress Hind's actual voice, with four actors playing the roles of the emergency workers who responded to her call. The film conveys the anguish and desperation of those on the other end of the line as they desperately try to save Hind.
Ben Hania has said that she made a conscious effort to stay true to her first feelings when hearing Hind's voice – one of helplessness and sadness. She wanted to capture the torment felt by the emergency workers, who were aware of an ambulance just minutes away but faced numerous obstacles in getting it to Hind.
The film premiered at the Venice Film Festival in September, where it received a 23-minute standing ovation – the longest in the festival's history. The film has also sparked renewed attention on the conflict in Gaza and the plight of Palestinian children caught up in it.
Ben Hania believes that cinema can change people's perceptions and spark action – "So many children have been killed that we are entering a zone of amnesia and insensitivity," she says. "We're numb, but cinema, literature and art can change things."
Hind's desperate cries for help were recorded on the night of January 26, 2024, as she called the Palestine Red Crescent Society emergency call centre via a mobile phone. The recording was made during a particularly traumatic moment – Hind had been shot multiple times and was bleeding out among her dead relatives. The four workers at the call centre promised to send help, but their pleas for assistance were repeatedly ignored.
Ben Hania, a Tunisian director who has made a career out of tackling tough subjects in her films, was struck by the urgency and desperation in Hind's voice. "When I heard her voice, for that millisecond, it felt as if she was asking me to save her," Ben Hania says. The experience left an indelible mark on her – she immediately cleared her schedule to work on a film based around Hind's voice.
The result is a powerful drama, called simply "The Voice of Hind Rajab". In the film, Hind's voice is recreated by actress Hind's actual voice, with four actors playing the roles of the emergency workers who responded to her call. The film conveys the anguish and desperation of those on the other end of the line as they desperately try to save Hind.
Ben Hania has said that she made a conscious effort to stay true to her first feelings when hearing Hind's voice – one of helplessness and sadness. She wanted to capture the torment felt by the emergency workers, who were aware of an ambulance just minutes away but faced numerous obstacles in getting it to Hind.
The film premiered at the Venice Film Festival in September, where it received a 23-minute standing ovation – the longest in the festival's history. The film has also sparked renewed attention on the conflict in Gaza and the plight of Palestinian children caught up in it.
Ben Hania believes that cinema can change people's perceptions and spark action – "So many children have been killed that we are entering a zone of amnesia and insensitivity," she says. "We're numb, but cinema, literature and art can change things."