Julie Campiche's latest album, Unspoken, is a testament to her artistry as a harpist, composer, and visionary. The album's soundscapes are indeed magical, weaving together elements of classical music, Nordic ambient jazz, and experimental sounds, all while maintaining a sense of urgency and activism.
Campiche's intentions behind the album go beyond mere musical expression; they are deeply rooted in her commitment to sisterhood, as evidenced by the opening track "Anonymous". This piece pays homage to women who have inspired her, with Virginia Woolf quote repeated by a chorus of women's voices in different languages, culminating in a haunting melody. The harp lines are delicate yet powerful, evoking the memory of Grisélidis Réal, a Swiss artist and writer.
Another standout track is "Rosa", which honors the resolve of migrant workers with a lilting harp melody that shifts rhythmically to evoke the weary spirit of Andréa Bescond. Meanwhile, "Maman du Ciel" finds Campiche using her breath as an instrument, weaving an intricate pattern of in-and-out sounds.
The least jazzy of Campiche's projects yet, Unspoken showcases her ability to create music that transcends genre boundaries and invites listeners into a world of improvisation. Here she truly lets her artistic vision shine, rather than conforming to traditional expectations.
For fans of avant-jazz, this album is a must-listen, offering an immersive experience that seamlessly blends the ethereal with the urgent.
Campiche's intentions behind the album go beyond mere musical expression; they are deeply rooted in her commitment to sisterhood, as evidenced by the opening track "Anonymous". This piece pays homage to women who have inspired her, with Virginia Woolf quote repeated by a chorus of women's voices in different languages, culminating in a haunting melody. The harp lines are delicate yet powerful, evoking the memory of Grisélidis Réal, a Swiss artist and writer.
Another standout track is "Rosa", which honors the resolve of migrant workers with a lilting harp melody that shifts rhythmically to evoke the weary spirit of Andréa Bescond. Meanwhile, "Maman du Ciel" finds Campiche using her breath as an instrument, weaving an intricate pattern of in-and-out sounds.
The least jazzy of Campiche's projects yet, Unspoken showcases her ability to create music that transcends genre boundaries and invites listeners into a world of improvisation. Here she truly lets her artistic vision shine, rather than conforming to traditional expectations.
For fans of avant-jazz, this album is a must-listen, offering an immersive experience that seamlessly blends the ethereal with the urgent.
- it's like she's tapping into something deeper than just music 
. But, on the flip side, I'm not sure if this whole "artistic vision" thing is getting too extra 
. Like, can't we just appreciate her talent without all the poetic language and historical references? 
. I mean, what if someone actually listens to this whole thing without a break? 
What will happen to their sanity?! 
. I love how each track has a story behind it, like "Anonymous" which is so powerful and moving 
. And the use of Virginia Woolf quotes? Genius! 
The fact that it's not just about music but also about sisterhood and activism really resonates with me 
. It's amazing to see artists pushing boundaries and creating something truly unique 
. Can't wait to listen to more of her work! 
! It's like she's tapped into the essence of the 80s and 90s experimental music scene, but with a modern twist that's just so fresh. I mean, have you heard those harp lines in "Anonymous"? They're giving me major Sigur Rós vibes from back in the day 
. And don't even get me started on "Rosa" - it's like she's channeling the spirit of Björk (no offense to Julie, of course!) 
. I love how she's pushing the boundaries of music and inviting us into this world of improvisation... it's like we're all in on some secret knowledge together 
. Unspoken is definitely an album that'll stay with me for a long time - it's like a warm hug from Julie Campiche herself 
. Can't just take her word for it...
. Julie Campiche's got some serious skills as a harpist, and I think she's really pushing boundaries with this album. The way she weaves together different styles is pure magic 
. But what really gets me is the emotional depth behind it all - it's like you can feel the urgency and passion pouring out of every note 
! The way she weaves together these different styles and genres is pure magic 
. The way she captures the spirit of migrant workers is so moving, it's like you can feel their weariness and determination radiating from the speakers 
. And have you heard "Maman du Ciel"? That breathy soundscapes thing? Genius 
.
. If you're into avant-jazz, or just great music in general, you owe it to yourself to check out Unspoken ASAP 
️. have been on repeat for days!
. I loved the harp parts, they're so pretty and emotive. And the way she weaves together different styles is like magic 
And "Rosa" is just this lilting melody that makes me feel all the feels and wanna dance for justice 
Anyways, Unspoken is literally the perfect album for anyone looking for something new and exciting to listen to. Go stream it NOW!!! 
? It's just a way to sell albums, you know? I mean, don't get me wrong, Julie Campiche's Unspoken is actually pretty great, but the messaging feels super forced. And what's with the weird quote thingy in Anonymous? Like, who uses that in real life? 
Anyway, I guess if you're into harp music and all that jazz (pun intended), this album might be up your alley 
.
I've listened to it like 5 times already and I'm still finding new layers to dig into 
and then there's "rosa" with that lilting harp melody it's literally my go-to song when i need to focus 