Maxïmo Park's jaggy debut album is being celebrated 21 years on, and the Newcastle band's live show at Glasgow's venue is a testament to their enduring popularity. The setlist, which features tracks from past records as well as some surprises, showcases the band's energy and chops.
Lead singer Paul Smith, resplendent in his sharp suit, takes to the stage with reckless abandon, delivering a performance that's equal parts raw emotion and calculated showmanship. His scissor kick from the drum riser is a nod to their 2007 album 'A Certain Trigger', but it's clear this band has matured significantly since then.
While the album itself may not have aged as well as some of its peers, Maxïmo Park's live show has indeed come of age. The band plays with a level of proficiency that belies their youthful sound, and Smith's vocals have taken on a new depth and maturity. He brings a deft touch to tracks like 'Favourite Songs', effortlessly conveying the sense of longing and frustration that defined his angsty youth.
The inclusion of this single in the setlist feels deliberate, its opening lines – "My best years are behind me" – delivered with a wry, tongue-in-cheek attitude that suggests Smith is still grappling with the same doubts and fears. Yet there's also an undertone of defiance, as he asserts his independence in the face of parental expectations.
One aspect of Maxïmo Park's performance is their ability to balance humour and pathos, never sacrificing either for the sake of the show. Smith's pointing technique may be a nod to Jarvis Cocker's stage presence, but it's clear he's carved out his own unique style – one that's earned him a reputation as an impressive singer.
The rest of the band provides a solid backbone to Smith's performances, with guitarist Duncan Lloyd delivering a string of tuneful songs without fuss. Only keyboardist Jemma Freese comes close to stealing the spotlight, her exuberance on keys adding a welcome touch of vibrancy to the set.
The evening closes with 'Going Missing', a fitting finale that showcases Maxïmo Park's ability to craft catchy, memorable hooks. The band may not be looking back wistfully on their debut album – instead, they're forging ahead with renewed confidence and purpose. As for whether it's come of age? It certainly feels like it now.
Lead singer Paul Smith, resplendent in his sharp suit, takes to the stage with reckless abandon, delivering a performance that's equal parts raw emotion and calculated showmanship. His scissor kick from the drum riser is a nod to their 2007 album 'A Certain Trigger', but it's clear this band has matured significantly since then.
While the album itself may not have aged as well as some of its peers, Maxïmo Park's live show has indeed come of age. The band plays with a level of proficiency that belies their youthful sound, and Smith's vocals have taken on a new depth and maturity. He brings a deft touch to tracks like 'Favourite Songs', effortlessly conveying the sense of longing and frustration that defined his angsty youth.
The inclusion of this single in the setlist feels deliberate, its opening lines – "My best years are behind me" – delivered with a wry, tongue-in-cheek attitude that suggests Smith is still grappling with the same doubts and fears. Yet there's also an undertone of defiance, as he asserts his independence in the face of parental expectations.
One aspect of Maxïmo Park's performance is their ability to balance humour and pathos, never sacrificing either for the sake of the show. Smith's pointing technique may be a nod to Jarvis Cocker's stage presence, but it's clear he's carved out his own unique style – one that's earned him a reputation as an impressive singer.
The rest of the band provides a solid backbone to Smith's performances, with guitarist Duncan Lloyd delivering a string of tuneful songs without fuss. Only keyboardist Jemma Freese comes close to stealing the spotlight, her exuberance on keys adding a welcome touch of vibrancy to the set.
The evening closes with 'Going Missing', a fitting finale that showcases Maxïmo Park's ability to craft catchy, memorable hooks. The band may not be looking back wistfully on their debut album – instead, they're forging ahead with renewed confidence and purpose. As for whether it's come of age? It certainly feels like it now.