Lisa Perry's Onna House Soho is the latest addition to her East Hampton gallery, a space that has been 20 years in the making. The Soho location was always meant to be an experimental gallery space, where Perry could push boundaries and challenge conventional art world norms.
The name 'Onna' holds significance for Perry - it's the Japanese word for 'woman', which also reminds her of the Italian word for grandmother, Nonna, which her grandchildren affectionately call her. This connection is a nod to the traditional craftsmanship that often gets overlooked in the art world, and it's a theme that runs throughout Perry's curation at Onna House.
The gallery space itself feels like a warm living room - inviting, with natural materials and vintage furniture that add a sense of intimacy to the space. The walls are adorned with works by women artists who are pushing the boundaries of traditional craftsmanship, from Hiroko Takeda's tapestries to Tamiko Kawata's safety pin sculptures.
Perry has built her career on showcasing underrepresented voices in the art world, and Onna House Soho is no exception. The gallery space features a diverse range of artists, each with their own unique approach to traditional craftsmanship. There are porcelain ceramics by Leah Kaplan that seem like soft clay unfolding before your eyes, and tree bark woven into itself - an impressive sight that makes you question the intricate inner workings.
One of the standout features of Onna House Soho is its rotating installations - a space where collectors can encounter artworks in arrangements that evoke a lived-in, domestic environment. Perry's approach to curation is all about slowing down the art world's frenetic pace and focusing on the beauty of traditional craftsmanship.
Onna House Soho is already making waves in New York City's art ecosystem, with its unique focus on underrepresented voices and its commitment to showcasing beautiful, handcrafted works. It's a breath of fresh air, one that challenges conventional notions of what constitutes 'fine art'.
The name 'Onna' holds significance for Perry - it's the Japanese word for 'woman', which also reminds her of the Italian word for grandmother, Nonna, which her grandchildren affectionately call her. This connection is a nod to the traditional craftsmanship that often gets overlooked in the art world, and it's a theme that runs throughout Perry's curation at Onna House.
The gallery space itself feels like a warm living room - inviting, with natural materials and vintage furniture that add a sense of intimacy to the space. The walls are adorned with works by women artists who are pushing the boundaries of traditional craftsmanship, from Hiroko Takeda's tapestries to Tamiko Kawata's safety pin sculptures.
Perry has built her career on showcasing underrepresented voices in the art world, and Onna House Soho is no exception. The gallery space features a diverse range of artists, each with their own unique approach to traditional craftsmanship. There are porcelain ceramics by Leah Kaplan that seem like soft clay unfolding before your eyes, and tree bark woven into itself - an impressive sight that makes you question the intricate inner workings.
One of the standout features of Onna House Soho is its rotating installations - a space where collectors can encounter artworks in arrangements that evoke a lived-in, domestic environment. Perry's approach to curation is all about slowing down the art world's frenetic pace and focusing on the beauty of traditional craftsmanship.
Onna House Soho is already making waves in New York City's art ecosystem, with its unique focus on underrepresented voices and its commitment to showcasing beautiful, handcrafted works. It's a breath of fresh air, one that challenges conventional notions of what constitutes 'fine art'.
Lisa Perry is doing something really special here by giving a platform to female artists who are pushing the boundaries of traditional craftsmanship. I think it's so cool that she's highlighting the beauty in handcrafted works and slowing down the art world's fast pace - sometimes you just need to take a step back and appreciate the little things, right? 
The gallery space itself feels like a cozy living room, perfect for getting lost in the art. And I love how the rotating installations create a sense of intimacy and domesticity - it's like walking into someone's home! 
i'm literally obsessed with Lisa Perry's new Soho gallery!!! the vibe is so cozy and intimate, like you're walking into your fave aunt's living room lol 
. i love how she's highlighting traditional craftsmanship and giving a platform to underrepresented voices in the art world - it's about time! 
the rotating installations sound like a dream come true - who wouldn't want to experience beautiful, handcrafted works in a warm and inviting space? 
gotta check this out ASAP! 
i love how lisa perry is all about celebrating traditional craftsmanship and showing us that it's not just for grandma's stuff 
can you imagine having a safety pin sculpture by tamiko kawata as your coffee table center piece? 
It's all about warmth and coziness, you know? And the way Lisa Perry is pushing boundaries with traditional craftsmanship? Iconic. 
I'm so down for more of these underrepresented voices taking over the art world! 
The idea of slowing down the frenetic pace of the art world and focusing on beauty in handcrafted works? Absolutely refreshing. 
. The way she's showcasing underrepresented voices and traditional craftsmanship is like a breath of fresh air 
. And those installations? Absolutely stunning 
. It's all about slowing down and appreciating the beauty in slow-making, handmade crafts 
The fact that it feels like a warm living room is just the cherry on top - it's all about creating an intimate experience for collectors. And let's be real, slowing down the art world's frenetic pace is exactly what we need more of! 
Can't wait to visit and see what other beautiful works they have in store! 
And those porcelain ceramics by Leah Kaplan? Forget about it, they're like soft clay dreamcatchers! The way she incorporates natural materials and vintage furniture is like a breath of fresh air – it's so nice to see someone takin' things down a notch from all that high-end drama. Onna House Soho is def a game-changer, and I'm here for it! 
The attention to detail is stunning. It's refreshing to see a gallery space that feels like a warm living room, where you can just hang out and appreciate the art. The rotating installations are genius too - it's like getting to experience an intimate, lived-in environment. Overall, Onna House Soho is a game-changer in the NYC art scene! 
it feels like just an excuse for artists not to take risks and try new things. I mean, who wants to see the same old handmade crafts in a space that's supposed to be about innovation? Give me something with some real edge and attitude... maybe a few industrial machines churning out art pieces 24/7 
And don't even get me started on the whole "traditional craftsmanship" thing - it's just code for "old people making things with their hands". I want to see some futuristic materials and cutting-edge tech being used in the studio. It's time to take Onna House Soho down a notch and show the art world what real creativity looks like 
. I mean, it's just another gallery space showing more of the same stuff we've seen for years. Where's the innovation? The disruption? We're stuck in this rut of 'underrepresented voices' and 'traditional craftsmanship', but what about pushing boundaries, taking risks? Perry's just trying to fit into the art world's tired mold. And don't even get me started on the rotating installations - it's like she's trying to recreate your grandma's house for you 
. Give me a break.
I love how Lisa Perry is pushing boundaries by showcasing traditional craftsmanship, but can we talk about how much more expensive tickets are going to be because of that "rotating installations" nonsense? 
And don't even get me started on the fact that it's just a fancy living room with some art on the walls. 
10/10 would visit
And that rotating installation thing is genius 
. Let's keep supporting underrepresented voices in the arts