Maqbool Fida Husain, often referred to as India's Picasso, left his mark on the art world in the 20th century with a multitude of mediums including painting, filmmaking, photography, and poetry. Born in Indore, Western India in 1915, he became one of the most prolific Indian artists of modern times.
After moving to Mumbai at a young age, Husain began working as a billboard painter before developing his passion for art seriously. He co-founded the Bombay Progressive Artists' Group with fellow renowned artists Francis Newton Souza and Sayed Haider Raza in 1947. During this period, he created numerous influential works that showcased both modernist and folk-inspired styles.
However, Husain's life took a drastic turn as Hindu nationalists targeted him for his depiction of nude Hindu deities and other figures from Indian mythology. As the attacks escalated, he was subjected to relentless criticism and lawsuits, which ultimately led to the demolition of his home in Mumbai and the issuance of arrest warrants across the country.
With his safety compromised, Husain left India in 2006 and subsequently moved to Qatar, where he found a new sense of freedom to continue his work. In 2010, the Qatari government offered him citizenship, and after nearly two decades of living in exile, Husain's iconic works finally found a permanent home in Doha.
The Lawh Wa Qalam museum, dedicated to Husain's life and works, has been inaugurated in Qatar with an impressive collection of 35 paintings from his Arab Civilisation series. The museum showcases not only Husain's final works but also many other mediums including photography, films, and poetry.
Husain's artistic journey was marked by a mix of modernist and traditional elements. His work depicted iconic figures such as Mahatma Gandhi and mythological characters from the Mahabharata, drawing inspiration from both Indian folklore and Western art movements.
The architect of the museum Martand Khosla said that Husainโs influence on the Indian cultural landscape was profound, adding that he grew up seeing his works everywhere. The museum's design incorporates various influences inspired by Husain's own artwork, including blue tiles originating from Central Asia.
Husain's story is a poignant reminder of the price one pays for artistic freedom and the importance of protecting such fundamental rights. With the loss of this celebrated artist still being felt today, his legacy lives on through his captivating works displayed in the Lawh Wa Qalam museum โ an ode to the board and the pen, symbolizing the transformative power of art itself.
As Al Jazeera reported, Husain's biographer Akhilesh described him as a friend who treated him like his son. His love for India never wavered despite being forced into exile, as he said, "This is just a piece of paper. India is my motherland, and I simply cannot leave that country."
After moving to Mumbai at a young age, Husain began working as a billboard painter before developing his passion for art seriously. He co-founded the Bombay Progressive Artists' Group with fellow renowned artists Francis Newton Souza and Sayed Haider Raza in 1947. During this period, he created numerous influential works that showcased both modernist and folk-inspired styles.
However, Husain's life took a drastic turn as Hindu nationalists targeted him for his depiction of nude Hindu deities and other figures from Indian mythology. As the attacks escalated, he was subjected to relentless criticism and lawsuits, which ultimately led to the demolition of his home in Mumbai and the issuance of arrest warrants across the country.
With his safety compromised, Husain left India in 2006 and subsequently moved to Qatar, where he found a new sense of freedom to continue his work. In 2010, the Qatari government offered him citizenship, and after nearly two decades of living in exile, Husain's iconic works finally found a permanent home in Doha.
The Lawh Wa Qalam museum, dedicated to Husain's life and works, has been inaugurated in Qatar with an impressive collection of 35 paintings from his Arab Civilisation series. The museum showcases not only Husain's final works but also many other mediums including photography, films, and poetry.
Husain's artistic journey was marked by a mix of modernist and traditional elements. His work depicted iconic figures such as Mahatma Gandhi and mythological characters from the Mahabharata, drawing inspiration from both Indian folklore and Western art movements.
The architect of the museum Martand Khosla said that Husainโs influence on the Indian cultural landscape was profound, adding that he grew up seeing his works everywhere. The museum's design incorporates various influences inspired by Husain's own artwork, including blue tiles originating from Central Asia.
Husain's story is a poignant reminder of the price one pays for artistic freedom and the importance of protecting such fundamental rights. With the loss of this celebrated artist still being felt today, his legacy lives on through his captivating works displayed in the Lawh Wa Qalam museum โ an ode to the board and the pen, symbolizing the transformative power of art itself.
As Al Jazeera reported, Husain's biographer Akhilesh described him as a friend who treated him like his son. His love for India never wavered despite being forced into exile, as he said, "This is just a piece of paper. India is my motherland, and I simply cannot leave that country."