UK Government To Weigh Artists' Rights Amid AI copyright Dispute
A shift in tone from the UK government on its approach to addressing artists' concerns about AI-driven copyright infringement has been signaled by Technology Secretary Liz Kendall. In remarks that appear to diverge from her predecessor, Peter Kyle's stance, Kendall indicated sympathy for artists seeking fair compensation for their work when it is used without permission by companies leveraging large language models.
"We need to find a way that both sectors can grow and thrive in the future," she stated, emphasizing the importance of paying creators for their work. This approach marks a significant departure from Kyle's original intention, which aimed to require artists to actively opt out of having their work incorporated into AI systems.
The UK government has been engaging in consultations on an overhaul of intellectual property regulations for artificial intelligence (AI). The proposed framework necessitates vast amounts of training data for these models to operate effectively. The contentious issue has sparked heated protests from renowned British artists, including Paul McCartney and Kate Bush, who have called for the government to take immediate action.
Elton John recently criticized the UK government's stance, labeling them "absolute losers." In contrast, Kendall expressed her commitment to engaging with both the creative sector and AI companies in a collaborative effort. By doing so, she hopes to establish a new balance that benefits both parties.
Campaigners for artists' rights have long argued that their work should not be used as training data without permission or fair compensation. This is reflected in a recent $1.5 billion settlement by Anthropic, one of the world's largest AI companies, which resulted in the release of a searchable database containing information on 500,000 books used to train its models.
However, some have questioned whether this development has effectively addressed concerns over transparency and fair compensation for creators. Beeban Kidron, a film director and crossbench peer, welcomed Kendall's efforts but stressed that the government must regain trust with the creative community and the public by taking concrete actions.
The UK government is expected to release an initial report on its plans before the end of the year, followed by a more substantial report by March 2026. As negotiations continue, Kendall remains committed to finding a solution that balances the needs of both creators and AI companies.
A shift in tone from the UK government on its approach to addressing artists' concerns about AI-driven copyright infringement has been signaled by Technology Secretary Liz Kendall. In remarks that appear to diverge from her predecessor, Peter Kyle's stance, Kendall indicated sympathy for artists seeking fair compensation for their work when it is used without permission by companies leveraging large language models.
"We need to find a way that both sectors can grow and thrive in the future," she stated, emphasizing the importance of paying creators for their work. This approach marks a significant departure from Kyle's original intention, which aimed to require artists to actively opt out of having their work incorporated into AI systems.
The UK government has been engaging in consultations on an overhaul of intellectual property regulations for artificial intelligence (AI). The proposed framework necessitates vast amounts of training data for these models to operate effectively. The contentious issue has sparked heated protests from renowned British artists, including Paul McCartney and Kate Bush, who have called for the government to take immediate action.
Elton John recently criticized the UK government's stance, labeling them "absolute losers." In contrast, Kendall expressed her commitment to engaging with both the creative sector and AI companies in a collaborative effort. By doing so, she hopes to establish a new balance that benefits both parties.
Campaigners for artists' rights have long argued that their work should not be used as training data without permission or fair compensation. This is reflected in a recent $1.5 billion settlement by Anthropic, one of the world's largest AI companies, which resulted in the release of a searchable database containing information on 500,000 books used to train its models.
However, some have questioned whether this development has effectively addressed concerns over transparency and fair compensation for creators. Beeban Kidron, a film director and crossbench peer, welcomed Kendall's efforts but stressed that the government must regain trust with the creative community and the public by taking concrete actions.
The UK government is expected to release an initial report on its plans before the end of the year, followed by a more substantial report by March 2026. As negotiations continue, Kendall remains committed to finding a solution that balances the needs of both creators and AI companies.