David Benson's latest show about his dear friend Kenneth Williams is a nostalgic treat for those who grew up with the Carry On star as a mainstay of British life. The 30-year-old anniversary of Williams' birth serves as the perfect backdrop to revisit the raconteur, diarist and beloved TV personality. This new production marks another resurrection of Think No Evil of Us, Benson's hit show about Williams which has been touring since its inception.
The first act delves into Benson's own teenage years, including a memorable moment in 1975 when his winning Jackanory story was read by the young Kenneth Williams on national TV. The now-adult Benson recounts how his entry made him the target of school bullies who teased him about being associated with the openly gay and flamboyant Williams.
The show is described as "a boomer show" that strikes a balance between nostalgia and insight into what made Williams tick. However, it's clear that this production leans more heavily on reminiscence rather than offering an in-depth exploration of Williams' psyche.
The second act features scenes from Williams' life, showcasing his remarkable vocal range, facial contortions, and charismatic performance style. The audience is treated to a one-day snapshot of Williams' life, which offers glimpses into his relationships, personal struggles, and insecurities.
Benson's portrayal of Williams is both captivating and occasionally cringe-worthy. His ability to recreate Williams' distinctive voice and mannerisms is remarkable, if sometimes overwhelming. The show also touches on Williams' fragile mental health and his desperate need for validation, which adds a poignant layer to the production.
While some might argue that less could have been more in terms of Williams' constant chat about bodily functions, Benson's performance makes it all work. It's an arresting portrait of an extraordinary individual who left an indelible mark on British entertainment. With its nostalgic charm and captivating performances, this show is a must-see for fans of the beloved Carry On star.
The first act delves into Benson's own teenage years, including a memorable moment in 1975 when his winning Jackanory story was read by the young Kenneth Williams on national TV. The now-adult Benson recounts how his entry made him the target of school bullies who teased him about being associated with the openly gay and flamboyant Williams.
The show is described as "a boomer show" that strikes a balance between nostalgia and insight into what made Williams tick. However, it's clear that this production leans more heavily on reminiscence rather than offering an in-depth exploration of Williams' psyche.
The second act features scenes from Williams' life, showcasing his remarkable vocal range, facial contortions, and charismatic performance style. The audience is treated to a one-day snapshot of Williams' life, which offers glimpses into his relationships, personal struggles, and insecurities.
Benson's portrayal of Williams is both captivating and occasionally cringe-worthy. His ability to recreate Williams' distinctive voice and mannerisms is remarkable, if sometimes overwhelming. The show also touches on Williams' fragile mental health and his desperate need for validation, which adds a poignant layer to the production.
While some might argue that less could have been more in terms of Williams' constant chat about bodily functions, Benson's performance makes it all work. It's an arresting portrait of an extraordinary individual who left an indelible mark on British entertainment. With its nostalgic charm and captivating performances, this show is a must-see for fans of the beloved Carry On star.