The 'Verbatim' Film Phenomenon: A Rise in Authentic Adaptations
The world of cinema has seen a recent surge in "verbatim" films, which utilize real-life transcripts and recordings as the basis for their narrative. This trend has led to a new wave of authentic adaptations, with filmmakers opting for word-for-word transcriptions over scripted dialogue. The likes of Alfred Hitchcock once touted that script was the most essential ingredient for a great film, but now it seems that verbatim adaptations have become a sought-after method.
Recent examples include Tina Satter's "Reality" (2023), which dramatizes the true story of whistleblower Reality Winner; Radu Jude's "Uppercase Print" (2020); Peter Hujar's "Day"; and Ira Sachs' "London Road". These films, set in various historical contexts, share a common trait: they're based on real events and conversations.
The trend is reminiscent of the theatrical roots that many verbatim adaptations have. Uppercase Print began as a play by Gianina CΔrbunariu, while Reality Winner's interrogation transcript was first adapted for Satter's 2019 theatre performance "Is This a Room". This genre has its roots in the Federal Theatre Project of the 1930s and Eric Bentley's 1970s play "Are You Now or Have You Ever Been?" which tackled hot-button topics during the Great Depression.
The verbatim style has also crossed over to hybrid documentaries, an experimental form that blends fact and fiction. This year alone, several films have been released in UK cinemas, including Fiume o Morte!, Blue Heron, and The Wolves Always Come at Night.
Filmmakers are drawn to verbatim adaptations for their authenticity and immediacy. Close-ups, handheld cameras, and natural lighting create a sense of direct engagement with the film's subjects. For example, Kaouther Ben Hania's "The Voice of Hind Rajab" combines close-ups with actual recordings of Hind's story, allowing her voice to speak for itself.
This trend is also influenced by the current events that are becoming increasingly harder to reckon with. The appeal lies in hewing near to reality when capturing hard truths and addressing complex issues.
However, some have raised concerns about the ethics of verbatim adaptations, particularly when it comes to real-life conversations and sensitive subjects. The authenticity of these films must be balanced with respect for their subjects' dignity and privacy.
Despite these concerns, the "verbatim" film phenomenon is undeniable. As a filmmaking trend, it offers an exciting new approach to storytelling, one that prioritizes authenticity over traditional scripted dialogue. With more verbatim adaptations on the horizon, this trend may continue to capture audiences' attention and spark important conversations about real-life events and experiences.
The world of cinema has seen a recent surge in "verbatim" films, which utilize real-life transcripts and recordings as the basis for their narrative. This trend has led to a new wave of authentic adaptations, with filmmakers opting for word-for-word transcriptions over scripted dialogue. The likes of Alfred Hitchcock once touted that script was the most essential ingredient for a great film, but now it seems that verbatim adaptations have become a sought-after method.
Recent examples include Tina Satter's "Reality" (2023), which dramatizes the true story of whistleblower Reality Winner; Radu Jude's "Uppercase Print" (2020); Peter Hujar's "Day"; and Ira Sachs' "London Road". These films, set in various historical contexts, share a common trait: they're based on real events and conversations.
The trend is reminiscent of the theatrical roots that many verbatim adaptations have. Uppercase Print began as a play by Gianina CΔrbunariu, while Reality Winner's interrogation transcript was first adapted for Satter's 2019 theatre performance "Is This a Room". This genre has its roots in the Federal Theatre Project of the 1930s and Eric Bentley's 1970s play "Are You Now or Have You Ever Been?" which tackled hot-button topics during the Great Depression.
The verbatim style has also crossed over to hybrid documentaries, an experimental form that blends fact and fiction. This year alone, several films have been released in UK cinemas, including Fiume o Morte!, Blue Heron, and The Wolves Always Come at Night.
Filmmakers are drawn to verbatim adaptations for their authenticity and immediacy. Close-ups, handheld cameras, and natural lighting create a sense of direct engagement with the film's subjects. For example, Kaouther Ben Hania's "The Voice of Hind Rajab" combines close-ups with actual recordings of Hind's story, allowing her voice to speak for itself.
This trend is also influenced by the current events that are becoming increasingly harder to reckon with. The appeal lies in hewing near to reality when capturing hard truths and addressing complex issues.
However, some have raised concerns about the ethics of verbatim adaptations, particularly when it comes to real-life conversations and sensitive subjects. The authenticity of these films must be balanced with respect for their subjects' dignity and privacy.
Despite these concerns, the "verbatim" film phenomenon is undeniable. As a filmmaking trend, it offers an exciting new approach to storytelling, one that prioritizes authenticity over traditional scripted dialogue. With more verbatim adaptations on the horizon, this trend may continue to capture audiences' attention and spark important conversations about real-life events and experiences.