"Cyclone of Emotions: Teens Sing for Salvation in Bizarre yet Captivating Musical"
The eccentric production of "Ride the Cyclone" has arrived in London, and its blend of music, dance, and mysticism is as captivating as it is perplexing. This cult musical, which began life in a Canadian fringe theatre in 2009, takes six high-school choristers on a journey from death to rebirth after a catastrophic rollercoaster accident.
As the teenagers take turns performing their life stories through song, each number is expertly crafted to reveal a slice of their personality. From Ocean's saccharine ode to herself to Ricky's sartorial spectacle as a 1970s-inspired disco star, every musical selection is memorable and visually stunning. The standout performance comes from newcomer Robyn Gilbertson as Constance, whose poignant ballad showcases her impressive vocal range.
However, beneath the show's mesmerizing surface lies a narrative structure that begins to feel formulaic after a while. With each character receiving only a brief moment in the spotlight, it's challenging to connect with their stories on a deeper level. Nevertheless, this is a minor quibble for an otherwise unique and captivating musical experience.
Director Lizzi Gee's production weaves the spirit of the circus into every aspect of the show, creating an immersive world that draws the audience in. The Amazing Karnak, played by Edward Wu, serves as a compelling figurehead, guiding the teenagers through their individual performances with an otherworldly presence.
Ultimately, "Ride the Cyclone" is a musical that will leave you both bewildered and entranced. While it may benefit from some tweaks to its narrative structure, its sheer originality and emotional resonance make it a must-see for fans of eccentric theatre. With its talented cast and captivating performances, this cult musical is sure to continue its dedicated fanbase's enthusiasm for years to come.
The eccentric production of "Ride the Cyclone" has arrived in London, and its blend of music, dance, and mysticism is as captivating as it is perplexing. This cult musical, which began life in a Canadian fringe theatre in 2009, takes six high-school choristers on a journey from death to rebirth after a catastrophic rollercoaster accident.
As the teenagers take turns performing their life stories through song, each number is expertly crafted to reveal a slice of their personality. From Ocean's saccharine ode to herself to Ricky's sartorial spectacle as a 1970s-inspired disco star, every musical selection is memorable and visually stunning. The standout performance comes from newcomer Robyn Gilbertson as Constance, whose poignant ballad showcases her impressive vocal range.
However, beneath the show's mesmerizing surface lies a narrative structure that begins to feel formulaic after a while. With each character receiving only a brief moment in the spotlight, it's challenging to connect with their stories on a deeper level. Nevertheless, this is a minor quibble for an otherwise unique and captivating musical experience.
Director Lizzi Gee's production weaves the spirit of the circus into every aspect of the show, creating an immersive world that draws the audience in. The Amazing Karnak, played by Edward Wu, serves as a compelling figurehead, guiding the teenagers through their individual performances with an otherworldly presence.
Ultimately, "Ride the Cyclone" is a musical that will leave you both bewildered and entranced. While it may benefit from some tweaks to its narrative structure, its sheer originality and emotional resonance make it a must-see for fans of eccentric theatre. With its talented cast and captivating performances, this cult musical is sure to continue its dedicated fanbase's enthusiasm for years to come.
I just saw "Ride the Cyclone" in London and I'm still reeling from it 
. The music, dance, and mysticism all came together in a way that was both captivating and a bit wild 
. But what really got me was how each character's story was told through song - it was like they were sharing secrets with the audience 
. It felt so intimate and raw. I loved Robyn Gilbertson's performance as Constance, her voice just broke my heart 
. The production design was also insane, it felt like we were part of this crazy circus world 
. Not sure if I fully understood everything that went on under the surface, but the energy was definitely infectious 
. But, tbh, I had a bit of trouble connecting with the characters' stories because they got such short moments on stage 
. Still, the performances were insane, especially that one girl Robyn Gilbertson as Constance - her voice gave me CHILLS 
. The production value is also super high, it feels like you're part of this crazy world 
. Maybe a bit formulaic in the storytelling department, but overall, I'd def give it 4 out of 5 stars 
️
. These teenagers singing for salvation? Sounds like some kinda mind control experiment to me 
. And what's with the director weaving circus magic everywhere? Like she's trying to distract us from something 
... this whole thing just feels off 
. Don't get me wrong, it's got its moments, but you can't fool a conspiracy theorist like me 
... there's always more to the story 
.
also what's up with the weird circus vibes... does anyone know if its based on real events or just some crazy imagination? 
like, they take these teenagers who were in a rollercoaster accident & make them sing about their lives - it sounds super cheesy but trust me its not! Robyn Gilbertson as Constance is low-key amazing her vocal range is insane 
and the whole production with Lizzi Gee's direction is just wow. I mean, I get what the critics are saying about the narrative structure being formulaic, but I didn't even notice that cuz I was too busy being mesmerized by the whole circus thing 
. i mean don't get me wrong, the vocals r tight and all but...is it really that deep? 
Its like nothing u've ever seen b4 - music, dance, mysticism all mixed together in a crazy beautiful way 
The cast is insane 
but yeah its def got some formulaic bits 
still tho its SO worth it u gotta see it on stage 
edward wu as the amazing karnak sounds like a total scene stealer too! 
the music is indeed super catchy & the performers are all so talented! I mean, Robyn Gilbertson's voice gives me ALL the feels 
. Six teens singing about themselves, and a dude in a disco suit? What's next, a musical about memes?! 
But seriously, I'm curious to see if it lives up to all this hype 
. but sometimes i feel like they're being a bit too convenient in their story arcs 
. overall, it's a wild ride but i'm not entirely sold on the narrative just yet...
robyn gilbertson as constance gave me CHILLS her voice is seriously insane! and edward wu as the amazing karnak is like the ultimate mystical guide 
. This "Ride the Cyclone" musical is like a wild goose chase – all flashy lights and pretty songs, but scratch beneath the surface and it feels like they're trying to distract us from something. I mean, six teenagers singing about their lives in song? It's just too convenient. And don't even get me started on the "mystical" circus vibe... sounds like they're peddling some sort of New Age mumbo-jumbo 
. But hey, if it gets people talking and coming to see it, I'm all for it 
the cast is super talented esp robyn gilbertson as constance her ballad was so moving 
. I didn't really understand what the whole show was about, but in a weird way, it kinda worked? It's like they're tapping into this collective unconscious or something 