The article discusses Rob Miller's memoir "The Hours are Long But the Pay is Low: A Memoir of Running Bloodshot Records", which offers a behind-the-scenes look at running an independent record label. Miller, who was the owner and founder of Bloodshot Records, shares his experiences and insights on how to run a successful indie label, including the challenges he faced with unpaid royalties and allegations of sexual harassment.
The book covers two main periods: Side A, which covers the early days of the label (1997-2008) and includes stories about the label's rise to success, its commitment to independence, and the decision-making process. Side B focuses on the later years (2010-2021), including the fallout from unpaid royalties, allegations of sexual harassment, and the eventual sale of the label.
Miller's writing style is described as conversational and personal, offering a unique perspective on the music industry and independent record labels. He emphasizes the importance of passion, creativity, and community in maintaining a successful indie label, rather than relying solely on profit-driven decisions.
The article also highlights Miller's approach to dealing with difficult situations, such as the allegations of sexual harassment, where he chose not to focus on the negative aspects and instead emphasized the label's commitment to its artists. He believes that this approach helped maintain a positive atmosphere within the community and allowed the label to continue operating despite the challenges.
In an interview, Miller discussed his thoughts on writing the memoir, which was initially motivated by the idea of sharing his experiences with others but ultimately evolved into a more nuanced exploration of the music industry and independent labels. He emphasized the importance of optimism and passion in maintaining a successful indie label, even in the face of adversity.
Overall, "The Hours are Long But the Pay is Low" offers a candid and insightful look at running an independent record label, highlighting the challenges and triumphs that come with pursuing one's passion.
The book covers two main periods: Side A, which covers the early days of the label (1997-2008) and includes stories about the label's rise to success, its commitment to independence, and the decision-making process. Side B focuses on the later years (2010-2021), including the fallout from unpaid royalties, allegations of sexual harassment, and the eventual sale of the label.
Miller's writing style is described as conversational and personal, offering a unique perspective on the music industry and independent record labels. He emphasizes the importance of passion, creativity, and community in maintaining a successful indie label, rather than relying solely on profit-driven decisions.
The article also highlights Miller's approach to dealing with difficult situations, such as the allegations of sexual harassment, where he chose not to focus on the negative aspects and instead emphasized the label's commitment to its artists. He believes that this approach helped maintain a positive atmosphere within the community and allowed the label to continue operating despite the challenges.
In an interview, Miller discussed his thoughts on writing the memoir, which was initially motivated by the idea of sharing his experiences with others but ultimately evolved into a more nuanced exploration of the music industry and independent labels. He emphasized the importance of optimism and passion in maintaining a successful indie label, even in the face of adversity.
Overall, "The Hours are Long But the Pay is Low" offers a candid and insightful look at running an independent record label, highlighting the challenges and triumphs that come with pursuing one's passion.
I gotta say, reading about Rob Miller's memoir feels like getting a glimpse into a whole different world - the indie music scene, especially back in the day when Bloodshot Records was still a tiny operation trying to make it big 
. The way he talks about the struggles with unpaid royalties and allegations of sexual harassment is pretty sobering, but what I love most is that he doesn't dwell on all the drama and instead focuses on the importance of community and passion in making an indie label successful 
. It's like, he gets it - running a label isn't just about the money; it's about creating something you're truly proud of, even when things get tough 
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. Miller's optimism and passion are infectious, even in the face of adversity 
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But what really struck me was how he used that stuff as a way to highlight his commitment to his artists and community. It's like, he chose to focus on the good vibes instead of letting the negativity consume him 
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and gotta say, I'm loving the behind-the-scenes scoop on Bloodshot Records! As a music lover and indie label enthusiast, this book is giving me all the feels 
. It's wild to see how passionate Miller was (and still is!) about his craft, even when faced with tough challenges 
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i mean, thats like, major money we're talkin' about here! 50% of the profits gone missing... 
wouldn't you think he'd be all about getting those $$ off some poor soul who didn't get paid on time? 
but nope, he just takes it in stride and writes a whole book about it... i guess when you're passionate about what you do (like running an indie label), you can make excuses for anything that goes wrong, even financial mismanagement 
. Definitely a must-read for anyone into the music industry or just starting out with their own venture 
. I mean, passion, creativity, community - those are the things that make an indie label really shine 
. It's not all about makin' money, it's about buildin' a community of artists who care about what they do 
. Miller's approach to dealin' with tough situations is super refreshing too... instead of focusin' on the drama, he kept it positive & focused on the music 
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I just wish there was more depth to Miller's thoughts on how he actually handled those situations... 
The part that really got me was how he chose to focus on the positive instead of dwelling on the negative. Like, when those allegations came out, could've easily made Bloodshot Records look bad... but he didn't. He kept it about the music and the community they built. That's the kinda vibe I'd want my own label to have - all love & passion, no drama 
. Like, you gotta hand it to him, he's got some serious guts about sharing those tough times, especially with allegations of harassment 
. And honestly, I think that's where the real magic happens - not just in how he kept the label afloat despite all that, but also in how he approaches problems now. He's like, "let's focus on the positives and make sure our artists are happy" 
how he kept bloodshot records going despite all the ups and downs, including those unpaid royalties drama 
just finished reading this book, gotta say, its crazy how far bloodshot records has fallen, from being all about art to profit, feels like the whole purpose got lost 
. Anyone else been following Bloodshot Records?