Sajid Javid's memoir, The Colour of Home, is a poignant exploration of racism and class in 1970s and 80s Britain, one that both endures and troubles. It is an intimate portrait of the author's family, born out of brutal experiences at home and school. Childhood memories are seared into his mind: racist graffiti, skinhead taunts, and daily humiliations, which Javid recounts with unflinching candour.
The book is also a scathing critique of a system that fails to acknowledge its own complicity in perpetuating racism. The cruelty inflicted on brown and black children in Britain's institutions remains starkly apparent, from the schoolyard bullying that left physical scars to the everyday indignities endured by Javid's father as he struggled to escape poverty.
In contrast, his mother stands out as a testament to strength and resilience: an illiterate woman who worked tirelessly to educate her sons, sacrificing everything in the process. The narrative shines with vivid scenes of domestic hardship – failed business ventures, bailiffs knocking on doors, children in trouble – which Javid recounts with a Dickensian intimacy that humanises the statistics.
Javid's account also sheds light on his own journey into politics. It is a story of intellectual ignition: a tutor who continued to teach him for free, and the Financial Times pages abandoned on a bus that ignited a passion for reading. However, it is one that raises more questions than answers about meritocracy and social mobility.
The Colour of Home serves as a searing indictment of Conservative politics' recent policies on immigration. The book highlights how racism has been embedded in the party's narrative from its inception, with the "hostile environment" approach to immigration enforcement perpetuating harm against black Britons. Javid himself defended this policy during his tenure as home secretary.
The memoir raises crucial questions about identity politics and punitive policy. Suella Braverman's tenure as home secretary took this fusion of ideology to disturbing extremes, marrying patriotic rhetoric with apocalyptic language about Channel crossings. In both cases, the presence of non-white women at the top of the Home Office did not soften the edge of Conservative immigration policy.
Ultimately, The Colour of Home feels like a warning about the Britain that may come next. It portrays a boy learning to survive and outsmart his environment – but with an urgent call for education, solidarity, and institutional self-scrutiny as our only real antidotes to racism. Javid's own narrative often sounds too optimistic, minimising structural barriers and suggesting that minorities simply need to work harder to succeed.
Perhaps the most glaring omission is Javid's silence on his rise through the Conservative party. A more honest account of his time in power would be welcome, but for now, The Colour of Home serves as a powerful exploration of Britain's history, with all its painful contradictions.
The book is also a scathing critique of a system that fails to acknowledge its own complicity in perpetuating racism. The cruelty inflicted on brown and black children in Britain's institutions remains starkly apparent, from the schoolyard bullying that left physical scars to the everyday indignities endured by Javid's father as he struggled to escape poverty.
In contrast, his mother stands out as a testament to strength and resilience: an illiterate woman who worked tirelessly to educate her sons, sacrificing everything in the process. The narrative shines with vivid scenes of domestic hardship – failed business ventures, bailiffs knocking on doors, children in trouble – which Javid recounts with a Dickensian intimacy that humanises the statistics.
Javid's account also sheds light on his own journey into politics. It is a story of intellectual ignition: a tutor who continued to teach him for free, and the Financial Times pages abandoned on a bus that ignited a passion for reading. However, it is one that raises more questions than answers about meritocracy and social mobility.
The Colour of Home serves as a searing indictment of Conservative politics' recent policies on immigration. The book highlights how racism has been embedded in the party's narrative from its inception, with the "hostile environment" approach to immigration enforcement perpetuating harm against black Britons. Javid himself defended this policy during his tenure as home secretary.
The memoir raises crucial questions about identity politics and punitive policy. Suella Braverman's tenure as home secretary took this fusion of ideology to disturbing extremes, marrying patriotic rhetoric with apocalyptic language about Channel crossings. In both cases, the presence of non-white women at the top of the Home Office did not soften the edge of Conservative immigration policy.
Ultimately, The Colour of Home feels like a warning about the Britain that may come next. It portrays a boy learning to survive and outsmart his environment – but with an urgent call for education, solidarity, and institutional self-scrutiny as our only real antidotes to racism. Javid's own narrative often sounds too optimistic, minimising structural barriers and suggesting that minorities simply need to work harder to succeed.
Perhaps the most glaring omission is Javid's silence on his rise through the Conservative party. A more honest account of his time in power would be welcome, but for now, The Colour of Home serves as a powerful exploration of Britain's history, with all its painful contradictions.